Directed by
Abdellah Taïa | ... | (as Abdellah Taia) |
Writing Credits (in alphabetical order)
Abdellah Taïa | ... | (novel) (as Abdellah Taia) (screenplay) |
Cast (in credits order)
Produced by
Hugues Charbonneau | ... | producer |
Pauline Gygax | ... | co-producer |
Hicham Kadiri | ... | producer |
Max Karli | ... | co-producer |
Marie-Ange Luciani | ... | producer |
Philippe Martin | ... | co-producer |
Frantz Richard | ... | executive producer: Morocco |
Sophie Sallin | ... | co-producer |
David Thion | ... | associate producer |
Cinematography by
Agnès Godard |
Editing by
Françoise Tourmen |
Casting By
Leila Fournier | ||
Sarah Teper |
Makeup Department
Laurence Rieux | ... | period makeup artist |
Production Management
Olivier Capelli | ... | post-production manager |
Akrame El Meziane | ... | production manager |
Jean-Marie Gindraux | ... | production manager |
Hicham Kadiri | ... | production manager |
Nicolas Leclère | ... | production manager |
Second Unit Director or Assistant Director
Guillaume Bonnier | ... | first assistant director |
Hamza Boumalki | ... | first assistant director |
Benoît Monney | ... | second assistant director: Switzerland |
Sound Department
Christophe Bourreau | ... | foley artist |
Jacques Descomps | ... | recorder |
Vincent Kappeler | ... | boom operator |
Fanny Martin | ... | sound editor |
Fred Mays | ... | post-synchronisation |
Henri Maïkoff | ... | sound |
Noura Mouhatta | ... | boom operator |
Guillaume Moutardier | ... | recorder |
Christophe Vingtrinier | ... | re-recording mixer |
Camera and Electrical Department
François Berroir | ... | gaffer |
Mohamed El Oirdi | ... | key grip/dolly grip |
Aziz Lechgar | ... | second assistant camera |
Marion Peyrollaz | ... | second assistant camera: additional |
Editorial Department
Marine Lepoutre | ... | colorist |
Additional Crew
Frederic Greene | ... | production controller (as Frédéric Greene) |
Frederic Jupin | ... | post-production coordinator: Eclair Numérique |