The Love Boat (TV Series)
Long Time No See/The Bear Essence/Kisses and Makeup (1983)
Full Cast & Crew
Directed by
| Don Weis | ||
Writing Credits (in alphabetical order)
| Art Baer | ... | (story) (segment "Kisses and Makeup") |
| Wilford Lloyd Baumes | ... | (developed by) (as W.L. Baumes) |
| Stephanie Garman | ... | (teleplay) (segment "Kisses and Makeup") |
| Richard Goldman | ... | (written by) (segment "Long Time No See") (as Richard A. Goldman) |
| Ben Joelson | ... | (story) (segment "Kisses and Makeup") |
| Mike Marmer | ... | (story supervisor) |
| Mike Marmer | ... | (written by) (segment "Bear Essence") |
| Jeraldine Saunders | ... | (suggested by) |
| Hollace White | ... | (teleplay) (segment "Kisses and Makeup") |
Cast (in credits order)
Produced by
| Art Baer | ... | producer |
| Henry Colman | ... | producer |
| Douglas S. Cramer | ... | executive producer |
| Hudson Hickman | ... | associate producer |
| Ben Joelson | ... | producer |
| Aaron Spelling | ... | executive producer |
Music by
| Ben Lanzarone | ||
Cinematography by
| Tony Askins | ... | director of photography |
Editing by
| Chuck McClelland | ... | film editor |
Casting By
| Dennis Hammer | ||
Art Direction by
| Larry Warwick | ||
Set Decoration by
| James W. Payne | ... | (as James Payne) |
Costume Design by
| Nolan Miller | ||
Makeup Department
| Larry Darr | ... | makeup artist |
| Stephen Elsbree | ... | hair stylist (as Stephen A. Elsbree) |
Production Management
| Joseph Dervin Jr. | ... | executive in charge of post-production |
| Norman Henry | ... | executive production manager |
| Al Kraus | ... | supervising production manager |
| William A. Porter | ... | production manager |
| Sheridan Dar Reid | ... | unit production manager (as Dar Reid) |
Second Unit Director or Assistant Director
| Dirk Petersmann | ... | first assistant director |
| Victoria E. Rhodes | ... | second assistant director (as Victoria Rhodes) |
Art Department
| Wayne Fisher | ... | property master |
| Gordon Kirschbaum | ... | supervising construction co-ordinator |
Sound Department
| Bruce Smith | ... | sound engineer |
| Robert Nichols II | ... | sound recordist (uncredited) |
Camera and Electrical Department
| Casey Jones | ... | grip (uncredited) |
Casting Department
| Adam Rich | ... | casting associate |
Costume and Wardrobe Department
| Joe McCloskey | ... | costumer: men |
| Mary Elizabeth Still | ... | costumer: women (as Mary Still) |
Editorial Department
| Norman Wallerstein | ... | supervising film editor |
| Sue Kesler | ... | apprentice film editor (uncredited) |
Music Department
| Charles Fox | ... | composer: theme music |
| Jack Jones | ... | singer: theme music |
| Rocky Moriana | ... | music supervisor |
| Paul Williams | ... | lyricist: theme music |
Script and Continuity Department
| Helen Parker | ... | script supervisor |
| Tony Webster | ... | executive script consultant |
Transportation Department
| Kenneth Newland | ... | driver |
Additional Crew
| Richard Albrecht | ... | story editor |
| Jill Baer | ... | story editor |
| Bret Garwood | ... | executive coordinator |
| Casey Keller | ... | story editor |
| Daniel Margosis | ... | executive assistant: to Aaron Spelling |
| Mike Marmer | ... | story supervisor |
| Phill Norman | ... | title design |
| Christopher Vane | ... | story editor |
Thanks
| Crystal Herman | ... | special thanks |
| Samuel Herman | ... | special thanks |
