Directed by
Rory Kennedy |
Writing Credits (in alphabetical order)
Mark Bailey | ||
Tucker Capps |
Produced by
Mark Bailey | ... | producer |
Tucker Capps | ... | producer |
Mark Dowley | ... | executive producer |
Amelia Green-Dove | ... | archive producer |
Tiffany Haynes | ... | co-producer |
Romilla Karnick | ... | field producer |
Rory Kennedy | ... | producer |
Rose Stuckey Kirk | ... | executive producer |
Martin Pearson | ... | producer |
Casey Schlaybaugh | ... | executive producer |
Diego Scotti | ... | executive producer |
Margaret Vance | ... | associate producer |
Music by
Gary Lionelli |
Cinematography by
Taylor Johns | ||
Taylor Krauss |
Editing by
Gillian McCarthy | ||
Charlton McMillan |
Makeup Department
Hanako Izuoka | ... | makeup artist |
Sound Department
Miguel Barbosa | ... | foley artist |
Dennis Haggerty | ... | sound mixer |
Jim Keaney | ... | sound recordist |
Joe Milner | ... | re-recording mixer / supervising sound editor |
Diego S. Staub | ... | foley mixer |
Jake Slaney | ... | sound mixer: day player |
Joshua Timmer | ... | sound recordist |
Camera and Electrical Department
Chris Oeurn | ... | assistant camera (as Christine Oeurn) / assistant camera |
Jeremy Parsons | ... | second unit |
Walter Stone | ... | gaffer |
Editorial Department
Tucker Capps | ... | additional editing |
Aaron Howell | ... | assistant editor / digital intermediate conform |
Miles Wilkerson | ... | first assistant editor |
Music Department
Atanas Babaleski | ... | scoring pro tools engineer |
F.A.M.E.'S. Project | ... | orchestra and studio contractor |
Georgi Hristovski | ... | score recording engineer |
Additional Crew
Jason Ferguson | ... | creative director |
Lisa Higuchi | ... | production coordinator |