With British input but operating out of Budapest, DDF Prods. and its DD Busty subsidiary have recently moved to the head of the class in providing big-bust porn to the masses, with an admirable emphasis on natural breasts. They also provide other content, as evidenced by this fine all-sex program, recently reissued in England on the venerable Harmony Films label.
The five segments feature some top Euro talent, notably Anissa Kate and Jessie Volt, nicely styled and teamed with Euro studs. I'm in love with Anissa so her segment was satisfying for me, playing a '20s styled flapper humping in a hay loft and delivering her trademark d.p.'s in threesome format.
Most striking segment has the lanky and busty Black actress Katia De Lys as a bartender in an exuberant gang-bang with 3 studs, all wearing Panama hats during sex. This is extremely well-lit and boasts a terrific set design/decoration, typical of the quality approach adhered to throughout. What's missing (on purpose) throughout are characterizations or interesting story content -this being the Age of Gonzo.
The hayloft is also used for a period costuming (18th Century?) opening threesome of noble man and peasants. It tries to be nasty, but succeeds more in being classy.
Finale is foot-fetish action galore, starring Alysa Gap, who also appears in another segment to good effect. The DDF boys know their limitations, not venturing into story/feature content, but in the wall- to-wall sex genre this is invigorating material.
The five segments feature some top Euro talent, notably Anissa Kate and Jessie Volt, nicely styled and teamed with Euro studs. I'm in love with Anissa so her segment was satisfying for me, playing a '20s styled flapper humping in a hay loft and delivering her trademark d.p.'s in threesome format.
Most striking segment has the lanky and busty Black actress Katia De Lys as a bartender in an exuberant gang-bang with 3 studs, all wearing Panama hats during sex. This is extremely well-lit and boasts a terrific set design/decoration, typical of the quality approach adhered to throughout. What's missing (on purpose) throughout are characterizations or interesting story content -this being the Age of Gonzo.
The hayloft is also used for a period costuming (18th Century?) opening threesome of noble man and peasants. It tries to be nasty, but succeeds more in being classy.
Finale is foot-fetish action galore, starring Alysa Gap, who also appears in another segment to good effect. The DDF boys know their limitations, not venturing into story/feature content, but in the wall- to-wall sex genre this is invigorating material.