Directed by
Shirley Barrett |
Writing Credits
Shirley Barrett | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Miranda Otto | ... | Meredith Appleton | |
Marton Csokas | ... | Jack Fleet | |
Essie Davis | ... | Alma Stanley | |
Rohan Nichol | ... | Harry Stanley | |
Barry Otto | ... | George Wadsworth | |
Annie Martin | ... | Nettie | |
Reef Ireland | ... | Tom | |
Benson Adams | ... | Robbie | |
Graham Tait | ... | Launch Driver |
Produced by
Miranda Culley | ... | producer |
Marian Macgowan | ... | producer |
Sarah Radclyffe | ... | executive producer |
Emile Sherman | ... | executive producer |
Music by
Mary Finsterer |
Cinematography by
Anna Howard |
Editing by
Denise Haratzis |
Casting By
Ann Robinson |
Production Design by
Paul Heath |
Art Direction by
Jane Murphy |
Costume Design by
Edie Kurzer |
Makeup Department
Kirsten Veysey | ... | makeup designer |
Production Management
Jane Maguire | ... | post-production supervisor |
Second Unit Director or Assistant Director
Renata Blaich | ... | third assistant director |
Art Department
Chris Hand | ... | head greensman (as Christopher Hand) |
Anna McEwan | ... | graphic designer |
Sound Department
Yulia Akerholt | ... | dialogue editor |
Michael Carden | ... | sound effects editor |
Natalie Choo | ... | foley artist |
Adam Connelly | ... | foley editor |
Frank Lipson | ... | sound designer |
Blair Slater | ... | foley recordist/editor |
George Turnure | ... | foley artist |
Mark J. Wasiutak | ... | boom operator |
Gary Wilkins | ... | sound mixer |
Andy Wright | ... | re-recording mixer |
Special Effects by
Brenden Barry Brown | ... | special effects technician |
Brian Duff | ... | special effects technician |
Angelo Sahin | ... | special effects supervisor |
Visual Effects by
Shamus Baker | ... | cg artist |
Bryn Farrelly | ... | digital compositor |
Prue Fletcher | ... | visual effects producer |
Scott Geersen | ... | digital compositor |
Thomas Kayser | ... | matte painter |
Peter Kober | ... | cg artist |
Bertrand Polivka | ... | digital compositor |
Ferry Taswin | ... | visual effects artist |
Stunts
Lachlan Ward | ... | assistant safety supervisor |
Camera and Electrical Department
Ben Bryan | ... | additional ac |
Chris Child | ... | first assistant camera |
Adam Hunter | ... | gaffer |
Ben King | ... | stills photographer |
Cameron Morley | ... | first assistant camera |
Matt Nettheim | ... | still photographer (as Matthew Nettheim) |
Mark Rodgers | ... | epk camera operator |
Casting Department
Emma Dockery | ... | casting associate |
Costume and Wardrobe Department
Nicole Coppi | ... | costumer |
Editorial Department
Al Hansen | ... | head of digital intermediate / supervising digital intermediate colorist |
Steve McKay | ... | digital intermediate producer |
Vincent Taylor | ... | colorist |
Maryjeanne Watt | ... | assistant editor |
Neil Wood | ... | colorist: dailies |
Music Department
Daniel Baker | ... | music preparation |
Laura Bishop | ... | music preparation |
Christo Curtis | ... | score engineer |
Geri Green | ... | music preparation |
Alex Henery | ... | orchestra contractor |
James K. Lee | ... | additional arrangements / orchestrator |
Angus O'Sullivan | ... | orchestrator |
Jessica Wells | ... | orchestrator |
Danielle Wiessner | ... | score co-producer |
Script and Continuity Department
Charlie Carman | ... | script editor |
Paul Kiely | ... | script supervisor |
Additional Crew
Manuel Caracciolo | ... | production secretary |
Al Hansen | ... | color calibration technician |
Jenny Kent | ... | dialect coach |
Sandie Morris | ... | production accountant |
Fiona Nix | ... | unit publicist |
Sarah Rawson-Harris | ... | animal trainer |
Ben Rollinson | ... | unit assistant |
Stephen Rutter | ... | travel manager |
Trudy Talbot | ... | production accountant |
Anwyn Watkins | ... | assistant to producer / post production coordinator |
Anna Webster | ... | assistant to Sarah Radclyffe |
Thanks
Kate Richter | ... | thanks |