Directed by
Lisa Mulcahy |
Writing Credits (in alphabetical order)
Elisabeth Gooch | ||
Sheridan Le Fanu | ... | (novel) |
Cast (in credits order)
Agnes O'Casey | ... | Maud | |
David Wilmot | ... | Silas | |
Chris Walley | ... | Edward | |
Holly Sturton | ... | Emily | |
Grainne Keenan | ... | Madame | |
Mark Doherty | ... | Doctor Bryerly | |
Elaine O'Dwyer | ... | Mary Quince | |
Kieran Roche | ... | Captain Ilbury | |
John Olohan | ... | Mr. Rusk | |
Eleanor Methven | ... | Mrs. Rusk | |
Heather Leonard | ... | Maud's Daughter |
Produced by
Ruth Carter | ... | producer |
Hugo Grumbar | ... | executive producer |
Helen Murray | ... | line producer |
Dearbhla Regan | ... | executive producer |
Music by
Aza Hand |
Cinematography by
Eleanor Bowman |
Editing by
Weronika Kaminska |
Casting By
Amy Rowan |
Production Design by
Caroline Hill |
Art Direction by
Hana Hall |
Costume Design by
O'Brien Joanne |
Makeup Department
Julie Caulfield | ... | makeup artist |
Helen O'Connor | ... | key hair stylist |
Aitana Silvana | ... | key makeup artist |
Gabriel Tenorio | ... | assistant hair stylist |
Second Unit Director or Assistant Director
Holly Greig | ... | second assistant director |
Conor Thompson | ... | third assistant director |
Neil Winterlich | ... | first assistant director |
Art Department
Aoife Breathnach | ... | Art Department Trainee |
Rebekah Bustos | ... | dressing props |
John Carter | ... | Props Driver |
Aoife Gillies | ... | standby props |
Fabien Oman | ... | props |
Sound Department
Nathan Batt | ... | sound trainne |
Adrian Conway | ... | ADR Recordist / dialogue editor |
Aza Hand | ... | re-recording mixer / sound designer |
Damien Lynch | ... | sound effects editor |
Eoghan McDonnell | ... | foley artist |
Peter Nicell | ... | sound mixer |
James Tebbitt | ... | boom operator |
Daniel Walsh | ... | foley editor |
Special Effects by
Kelvin Byrne | ... | special effects technician |
Kevin Byrne | ... | special effects supervisor |
Visual Effects by
Aled Rhys Jones | ... | visual effects supervisor |
Martina Regan | ... | compositor |
Ricardo Rodriguez Gambini | ... | visual effects supervisor |
Magdalena Turnier | ... | visual effects producer |
Eimear Young | ... | compositor |
Stunts
David Byrne | ... | stunt coordinator |
Paul Reck | ... | Stunt Double: Kieran Roche / stunt double: Kieran Roche |
Camera and Electrical Department
Sarah Dillon | ... | first assistant camera |
Wade Enright | ... | camera trainee dallies |
Noel Greene | ... | gaffer |
Jessie Kamm | ... | camera trainee |
Darren Kelly | ... | best boy |
Niall Moore | ... | key grip |
Madeline Mulqueen | ... | still photographer |
Lauren O'Brien | ... | second assistant camera |
Tiernan O'Rourke | ... | steadicam |
Costume and Wardrobe Department
Susan Devitt | ... | costume standby |
Sorcha Dianamh | ... | costume assistant |
Tara Gannon Carr | ... | costume supervisor |
Editorial Department
Aisling Gilsenan | ... | post production supervisor |
Sean Maher | ... | assistant editor |
Nik Panteris | ... | colorist |
Location Management
Colin Farrell | ... | location manager |
David Kiernan | ... | location trainee |
Script and Continuity Department
Benedict Goddard | ... | script supervisor |
Sarah Golding | ... | script editor |
Additional Crew
Andrea Ainsworth | ... | Voice Coach |
James Cullen | ... | production accountant |
Johanna Hogan | ... | Head of Legal & Business Affairs |
Roisin O'Donovan | ... | intimacy coordinator |
Sean Diarmaid Giacomelli O'Dwyer | ... | production trainee |
Ross O'Riordan-Le Claire | ... | production trainee |
Max Pirkis | ... | worldwide sales |
Ruby Savage | ... | production coordinator |
Maite Villarino Vicente | ... | International Sales |
Thanks
Barry Grubb | ... | thanks |