24 (TV Series) Day 4: 6:00 p.m.-7:00 p.m. (2005) User Reviews

Tony & Michelle & Jack & Paul

[ccthemovieman-1 · 9/10 · 19 August 2009]

Well, we start off with the shocker, which pertains to "Tony Almeida" (Carlos Bernard) and his ex-wife "Michelle" (Reiko Aylesworth) a regular on last year's show. It's always good to see Reiko back, even if it's a short stay.

Plus, it's another way for the show's writers to continue some personal stories along with all the tension and action of battling terrorists non-stop. It helps to balance the show and supposedly, it helps with the ratings by getting more female viewers to watch.

The big action scene is Jack and Paul trying to get out the the Rockland Buidliing, headquarters for McLennan-Forster, and then making a stand at a sporting goods store nearby. Even more important is some encrypted code they were able to obtain. McLenna-Forster execs, who hire professional hit men, want that as badly as the C.T.U. so many people are headed toward our two guys - either to rescue them or kill them.

One of the best episodes of the series

[dewlover420 · 9/10 · 6 February 2021]

Amidst maybe the most uneven season of the show, there's a gem of an episode. At least, in my opinion.

Mr. Robot's one of my all time favorite shows. This is very similar to it. As close as 24 could be to that first season that was more about hacking than anything else.

Plus I felt the ending was an actually great twist that even I DIDN'T REMEMBER, and I remember TONS of little things about this show! (I've seen the whole thing already, and re-watched the best seasons.)

I'm gonna end the review here with this. Seasons 1-5 are 100% agreed the best seasons of the show. This gets an unfair advantage being part of that.

It's the second bomb threat, and they didn't do a good job with ANOTHER bomb threat. So, maybe what they did with Season 5 was their way of saying "We're doing another virus, but we're not doing another Season 4."

With the way Season 4 ends, I wouldn't be surprised. I think the show's always been written on the fly. Maybe not, but I remember hearing Season 5 was. That was also the first season with a new showrunner.

Hit Men For Rent!

[Hitchcoc · 9/10 · 28 January 2019]

There must be a lot of money in assorted budget to hire killers. Jack and Paul go to a big corporation to get information concerning the leasing of a building to terrorists. One of the big execs warns his boss that their findings could destroy the company. Of course, these guys have hit men on speed dial and shut down the entire system. But it turns out that Paul has in his possession a printout. Jack and Paul are again in a life and death situation. Back at CTU, Erin has fallen apart after the death of her daughter and needs to be replaced. Tony is put in charge for a few minutes, but they soon find a replacement. Just like old times.

The episode expertly balances action with character-driven moments, ensuring that the stakes feel both immediate and personal

[fernandoschiavi · 8/10 · 5 June 2024]

In Episode 12, the tension escalates as Jack Bauer and CTU face new obstacles in their mission to stop the terrorists. This hour is marked by a series of rapid-fire developments that keep viewers on the edge of their seats. The episode expertly balances action with character-driven moments, ensuring that the stakes feel both immediate and personal.

A memorable scene in this episode is a high-speed chase through the streets of Los Angeles. The direction here is thrilling, with dynamic camera work that captures the intensity of the pursuit. Kiefer Sutherland's performance is again a standout, conveying Jack's relentless drive and resourcefulness. Critics from The Hollywood Reporter noted the "exhilarating action sequences" and the "emotional weight" carried by the characters' choices.

The episode also delves into the personal lives of the CTU agents, adding layers to their motivations and relationships. This adds a human element to the high-stakes drama, making the characters' struggles feel more relatable. The interplay between Jack and his colleagues is particularly well-written, showcasing the trust and tension within the team.

The visual and sound design in this episode are top-notch, with a kinetic energy that matches the frenetic pace of the plot. The use of handheld cameras and quick edits creates a sense of immediacy, immersing viewers in the action. The score is equally effective, underscoring the urgency and danger that permeate the episode.