Directed by
Brad Turner |
Writing Credits
Douglas Bowie | ... | (written by) |
Cast (in credits order)
Produced by
Robert Sherrin | ... | producer |
Cinematography by
Albert J. Dunk | ... | (as Bert Dunk) |
Production Design by
Andrew Kinsella | ||
Val Strazovec |
Art Direction by
Paul Ames |
Production Management
Lars Dahl | ... | production manager |
Second Unit Director or Assistant Director
Patrick Murphy | ... | third assistant director |
Wendy Ord | ... | first assistant director |
Art Department
Dave Bracken | ... | construction coordinator |
K. Douglas MacRae | ... | storyboard artist |
Sound Department
Barry Gilmore | ... | sound designer |
Gina Gyles | ... | foley assistant |
Greg Robertson | ... | assistant re-recording engineer / foley recordist |
George Spanos | ... | assistant sound effects editor |
Special Effects by
John Gajdecki | ... | special effects supervisor |
Visual Effects by
Dave Asling | ... | model shop supervisor |
Dave Axford | ... | motion control |
Louise Barkholt | ... | visual effects post coordinator |
Barb Benoit | ... | lead compositor |
Mike Borrett | ... | visual effects coordinator |
Dug Claxton | ... | digital compositor |
Debora Dunphy | ... | digital compositor |
Janeen Elliott | ... | digital compositor |
John Gajdecki | ... | visual effects |
Rachel Mina | ... | digital artist |
Christine Petrov | ... | digital compositor |
Kennedy Shah | ... | motion control operator |
Betty Shaw | ... | systems administrator: GVFX |
Linda Tremblay | ... | digital compositor |
Rainy Venne | ... | computer graphics artist |
Jovanka Vuckovic | ... | digital compositor (as Jen Vuckovic) |
Stunts
Matt Birman | ... | stunt performer |
Camera and Electrical Department
Robert Stecko | ... | camera operator |
Location Management
A.J. Hordal | ... | assistant location manager |
Additional Crew
Cynthia Hess | ... | tutor |
Michael Kohne | ... | key aerial rigger |