Directed by
Tim Fywell |
Writing Credits
Wilkie Collins | ... | (novel) |
David Pirie |
Cast (in credits order) verified as complete
Produced by
Ted Childs | ... | executive producer |
Rebecca Eaton | ... | executive producer |
Margaret Mitchell | ... | associate producer |
Gareth Neame | ... | producer |
Jonathan Powell | ... | executive producer |
David M. Thompson | ... | executive producer |
Music by
David Ferguson |
Cinematography by
Richard Greatrex |
Editing by
Robin Sales |
Casting By
Karen Lindsay-Stewart |
Production Design by
Alice Normington |
Art Direction by
Charmian Adams | ||
Tim Stevenson | ... | standy art director |
Set Decoration by
Dominic Smithers |
Costume Design by
Odile Dicks-Mireaux |
Makeup Department
Jon Henry Gordon | ... | hair stylist / makeup artist |
Christine Greenwood | ... | hair stylist / makeup artist |
Rupert Simon | ... | additional hair stylist / additional makeup artist |
Anne Spiers | ... | hair stylist designer / hair stylist / makeup designer |
Production Management
Alistair Hopkins | ... | post-production supervisor |
George Adams | ... | executive in charge of production (uncredited) |
Second Unit Director or Assistant Director
Toby Hefferman | ... | third assistant director |
Gareth Tandy | ... | first assistant director |
Rebecca Wright | ... | second assistant director (as Rebecca Tucker) |
Art Department
Vince Ball | ... | stand-by carpenter |
Temple Clark | ... | storyboard artist |
Barry Gibbs | ... | property master |
Bill Hargreaves | ... | stand-by props |
Geoff Kingsley | ... | construction manager |
Darryl Paterson | ... | stand-by props |
Ben Smith | ... | art department assistant |
Tim Stevenson | ... | assistant art director |
Michael Weaver | ... | painter |
Sound Department
John Downer | ... | sound editor |
Richard Finney | ... | boom operator |
Mark Holding | ... | sound mixer |
Bradley Kendrick | ... | sound trainee |
Sarah Morton | ... | dialogue editor |
Rupert Scrivener | ... | dubbing mixer |
Special Effects by
Tony Auger | ... | special effects technician |
Andy Lazell | ... | special effects supervisor |
Steve Lucas | ... | special effects technician |
Chris Reynolds | ... | special effects technician |
Stunts
Jim Dowdall | ... | stunts |
Richard Hammatt | ... | stunt arranger |
Anna Stacey | ... | stunts |
Camera and Electrical Department
Fred Agbah | ... | camera trainee |
Jim Alloway | ... | camera operator: second unit |
Ted Ames | ... | focus puller: second unit |
Pat Garrett | ... | camera grip |
Tony Haslam | ... | gaffer |
Ian Jackson | ... | best boy |
Kate Robinson | ... | steadicam operator |
Alf Tramontin | ... | steadicam operator |
Lorna Will | ... | focus puller |
Costume and Wardrobe Department
Stephanie Eatwell | ... | wardrobe assistant |
Kay Manasseh | ... | costume design assistant |
Jane Spicer | ... | wardrobe supervisor |
Editorial Department
Josef d'Bache-Kane | ... | assistant on-line editor |
Jonathan Sales | ... | assistant film editor |
Caroline Watkin | ... | post-production assistant |
Location Management
David Boardman | ... | assistant location manager |
Amanda Stevens | ... | location manager |
Script and Continuity Department
Kim Armitage | ... | script supervisor |
Jo Tracy | ... | script editor |
Transportation Department
Darren Thackeray | ... | driver: cast |
Richard Watkins | ... | facilities captain |
Additional Crew
Tamana Bleasdale | ... | floor runner |
Wim De Greef | ... | assistant accountant |
Alan Gavin | ... | production accountant |
Fiona Gosden | ... | floor runner |
Sarah Hamilton | ... | production secretary |
Colleen Hughes | ... | production coordinator |
Debbie Kaye | ... | horse coordinator |
Jo Schotting | ... | production runner |