Directed by
David Irving |
Writing Credits (in alphabetical order)
Nicholas Niciphor | ... | (screenplay) |
Nicholas Niciphor | ... | (story) |
Dick Shawn | ... | (screenplay) |
Cast (in credits order) complete, awaiting verification
Produced by
Stephen L. Newman | ... | executive producer |
Louis Sardonis | ... | producer |
Rob 'Smitty' Smith | ... | associate producer |
Leo Zahn | ... | producer (as Leopold Zahn) |
Music by
Tom Jenkins |
Cinematography by
Jerry Hartleben |
Editing by
Marshall Harvey | ||
Rob 'Smitty' Smith |
Casting By
William J. Kenney | ||
Daniel Travis | ... | (as Daniel J. Travis) |
Art Direction by
Paul Zacha |
Makeup Department
Sue Dolph | ... | hair stylist / makeup artist |
Jane Galli | ... | makeup artist: second unit |
Karen Kubeck | ... | hair stylist / makeup department head |
Production Management
Ira S. Rosenstein | ... | unit production manager (as Ira Rosenstein) |
Second Unit Director or Assistant Director
Robert Franchot | ... | first assistant director |
Steve Irving | ... | second assistant director |
Art Department
Jayne Ballard | ... | props: second unit |
Kirk Demusiak | ... | property master |
Bill Duff | ... | prop swing man |
Jane Stewart | ... | set painter |
Sound Department
Robert Alsheimer | ... | sound editor (as Bob Alscheimer) |
Tracy Feldman | ... | sound editor |
Jerry Lawrence | ... | boom operator |
John Teller | ... | boom operator |
Gerald B. Wolfe | ... | production sound mixer (as Jerry Wolfe) |
Special Effects by
Richard Albain | ... | special effects (as Dick Albain) |
Steve Karkus | ... | special effects |
Visual Effects by
Richard Marshall | ... | titles & opticals |
Stunts
Norman Deming | ... | stunt coordinator (as Von Deming) |
Ken Lesco | ... | stunts (as Kenny Lesko) |
Camera and Electrical Department
Karl Alexander | ... | gaffer |
Scott Ayres | ... | assistant camera: second unit |
Belinda Belaski | ... | still photographer: production stills |
Ken Coon | ... | best boy: second unit |
Steve Grass | ... | camera operator: second unit |
Dennis Grow | ... | best boy |
Steve Latina | ... | swing man |
Peter Lit | ... | assistant camera |
Scott Matbie | ... | key grip: second unit |
William Meurer | ... | best boy (as Bill Meurer) |
Michael Molnar | ... | best boy (as Mike Molnar) |
Jim Ramsey | ... | best boy: second unit |
Philip Sloan | ... | key grip (as Phil Sloan) |
Caleb Stoddard | ... | best boy |
Terrence Tally | ... | camera loader |
Jerry Tomson | ... | best boy |
Kevin Williams | ... | best boy |
Eddie Wolfl | ... | still photographer: production stills |
Don Zerlango | ... | best boy |
Costume and Wardrobe Department
Jayne Ballard | ... | wardrobe: second unit |
Lesley Neufeld | ... | wardrobe (as Leslie Nicholson) |
Margaret Rose | ... | wardrobe |
Editorial Department
John A. Barton | ... | assistant editor (as John Barton) |
Tracy Feldman | ... | assistant editor |
Terry Frankle | ... | assistant editor |
Location Management
Barbara Ferris | ... | location manager |
Denise Wheeler | ... | location permits |
Music Department
Rob 'Smitty' Smith | ... | music editor |
David Spear | ... | composer: additional music: song "Life Is a Mammy-Jabber" |
Lawrence Wright | ... | composer: additional music (as Larry Wright) |
Script and Continuity Department
Paulette Pasternack | ... | script supervisor (as Paulette Frye Pasternack) |
Transportation Department
Beth Melnick | ... | transportation captain |
Additional Crew
Elizabeth Dale Baer | ... | production assistant (as Dale Baer) |
Keith Critchlow | ... | title designer |
James F. Dean | ... | production coordinator |
Neil T. Evans | ... | executive consultant |
Nancy Gregory | ... | choreographer |
John Hall | ... | opera sequence created and staged by |
John Kaye | ... | production assistant |
Derf Scratch | ... | production assistant |
Jamil Simon | ... | executive consultant |
John Alan Simon | ... | post-production creative consultant |
Spit Stix | ... | production assistant |
Susan Warren | ... | production coordinator |
Thanks
Howard Larsen | ... | special thanks |