Directed by
Tom Noonan |
Writing Credits
Tom Noonan | ... | (screenplay) |
Tom Noonan | ... | (play) |
Cast (in credits order) verified as complete
Karen Sillas | ... | Jackie Marsh | |
Tom Noonan | ... | Michael |
Produced by
Ted Hope | ... | executive producer |
Scott Macaulay | ... | producer |
Robin O'Hara | ... | producer |
James Schamus | ... | executive producer |
Music by
Tom Noonan | ... | (as Ludovico Sorret) |
Cinematography by
Joe DeSalvo |
Editing by
Tom Noonan | ... | (as Richmond Arrley) |
Production Design by
Daniel Ouellette | ... | (as Dan Ouellette) |
Set Decoration by
Andras Kanegson |
Costume Design by
Kathryn Nixon |
Makeup Department
Kathryn Nixon | ... | hair stylist / makeup artist |
Nina Port | ... | hair stylist / makeup artist |
Production Management
Sarah Lavery | ... | unit manager |
Second Unit Director or Assistant Director
Steve Apicella | ... | first assistant director |
Art Department
Nico Accardi | ... | scenic artist |
David Doernberg | ... | props (as Dave Doernberg) |
Robin Goldwasser | ... | scenic artist |
Gatis Gudets | ... | scenic artist |
Constance LeMasson | ... | set dresser |
Dan McGuire | ... | carpenter |
Marco North | ... | carpenter |
Chris O'Neal | ... | scenic artist |
Ed Strosser | ... | scenic artist |
Sound Department
Felix Andrew | ... | production sound mixer (as Felix Andrews) |
Rick Bradley | ... | boom operator |
Peter Dorgen | ... | boom operator |
Tony Faulkner | ... | assistant sound editor |
Jeanne Gilliland | ... | boom operator |
Tom Paul | ... | post-production sound recordist |
Jacob Ribicoff | ... | sound editor |
Rick Stevenson | ... | sound designer |
Visual Effects by
Paul B. Clay | ... | visual consultant (as Paul Clay) |
Camera and Electrical Department
Mara Catalan | ... | still photographer |
Mike Cohen | ... | additional assistant camera |
Pat Donovan | ... | best boy grip (as Patrick Donovan) |
Sean Donovan | ... | key grip |
Joe Foley | ... | gaffer |
Zsolt Kadar | ... | grip |
Maddy Lederman | ... | grip |
Heather Norton | ... | second assistant camera |
John Pirozzi | ... | grip |
Sally Reed | ... | key grip |
Jack Reichert | ... | first assistant camera |
Joel Tishcoff | ... | key grip (as Joel Tischoff) |
Casting Department
Leonard Finger | ... | casting consultant |
Editorial Department
Roger Doran | ... | video mastering |
Pamela Martin | ... | associate editor (as Pam Martin) |
Dave Pultz | ... | color timer: DuArt (as David Pultz) |
Lesley Topping | ... | additional editor |
Location Management
Anthony Bregman | ... | location scout: Good Machine |
Allan R. McKinnon | ... | location scout: Goiod Machine (as Allan McKinnon) |
Bill Rouady | ... | location scout: Good Machine |
Scott Wyles | ... | location scout: Good Machine |
Music Department
Geoff Mattoon | ... | musician: solo sax |
Script and Continuity Department
Martha Griffin | ... | continuity |
Additional Crew
Eric Cahan | ... | additional footage |
Joyce Hsieh | ... | production accountant |
W. Wilder Knight II | ... | legal counsel (as Wilder Knight II) |
Mike Lavery | ... | production assistant |
Johnny Santiago | ... | production assistant |
Arna Svingen | ... | production assistant |
Alexandra White | ... | production office coordinator |
Thanks
Karen Young | ... | dedicatee |