Jean Rollin replaced Jess Franco as director of Zombie Lake at the 11th hour, but to be honest, you would be hard pushed to tell: Rollin's direction is every bit as clumsy as Franco at his worst, and like so many of the Spaniard's films, the film is only worth watching for the full-on nudity from some quality Euro-crumpet and a few unintentional laughs derived from its overall sloppiness.
Zombie Lake opens with a hot brunette sauntering over to the film's titular lake for a spot of skinny dipping, during which she is attacked by a zombie Nazi sporting green face paint that only extends as far as his jawline. The scene is gore-less, scare-less and technically inept (the underwater scenes having been filmed in what looks like a cunningly disguised swimming pool), but it does allow Rollin's audience to become very well acquainted with the girl's genitalia.
The sneaky vag shots and lame zombie attacks continue throughout the film, the lake continually drawing fit French fillies to its waters to frolic in the buff—and when the naked chicks are on screen, all's right with the world; but whenever Rollin tries conjure up a creepy atmosphere, scare his viewers, or inject some drama into proceedings, it all goes horribly wrong, becoming a painfully embarrassing and dreary exercise in how not to make a zombie film.
3 out of 10, all points awarded purely for the T&A, best scene being the arrival at the lake of an all-female basketball team, who strip off for a refreshing dip with inevitably disastrous results.
Zombie Lake opens with a hot brunette sauntering over to the film's titular lake for a spot of skinny dipping, during which she is attacked by a zombie Nazi sporting green face paint that only extends as far as his jawline. The scene is gore-less, scare-less and technically inept (the underwater scenes having been filmed in what looks like a cunningly disguised swimming pool), but it does allow Rollin's audience to become very well acquainted with the girl's genitalia.
The sneaky vag shots and lame zombie attacks continue throughout the film, the lake continually drawing fit French fillies to its waters to frolic in the buff—and when the naked chicks are on screen, all's right with the world; but whenever Rollin tries conjure up a creepy atmosphere, scare his viewers, or inject some drama into proceedings, it all goes horribly wrong, becoming a painfully embarrassing and dreary exercise in how not to make a zombie film.
3 out of 10, all points awarded purely for the T&A, best scene being the arrival at the lake of an all-female basketball team, who strip off for a refreshing dip with inevitably disastrous results.