Directed by
Michael Curtiz |
Writing Credits
Clarence Day | ... | (memoir "Life with Father") |
Donald Ogden Stewart | ... | (screen play) |
Howard Lindsay | ... | (from the original play by) and |
Russel Crouse | ... | (from the original play by) |
Cast (in credits order) verified as complete
Produced by
Robert Buckner | ... | producer |
Jack L. Warner | ... | executive producer |
Music by
Max Steiner |
Cinematography by
J. Peverell Marley | ... | director of photography (as Peverell Marley) |
William V. Skall | ... | director of photography |
Editing by
George Amy | ... | film editor |
Art Direction by
Robert M. Haas | ... | (as Robert Haas) |
Set Decoration by
George James Hopkins | ... | (as James Hopkins) (set decorations) |
Costume Design by
Marjorie Best | ... | (uncredited) |
Makeup Department
Perc Westmore | ... | makeup artist |
Della Barnes | ... | hair stylist (uncredited) |
Stephanie Garland | ... | hair stylist (uncredited) |
Rose Lehman | ... | makeup artist (uncredited) |
Hank Mann | ... | makeup artist (uncredited) |
Eve Newing | ... | hair stylist (uncredited) |
Norman Pringle | ... | makeup artist (uncredited) |
Helen Turpin | ... | hair color specialist (uncredited) |
Production Management
Eric Stacey | ... | unit manager (uncredited) |
Second Unit Director or Assistant Director
Russell Llewellyn | ... | second assistant director (uncredited) |
Robert Vreeland | ... | assistant director (uncredited) |
Art Department
C.A. Basseler | ... | assistant props (uncredited) |
Donald P. Desmond | ... | set construction (uncredited) |
Edward L. Ilou | ... | assistant art director (uncredited) |
Herbert Plews | ... | props (uncredited) |
Levi C. Williams | ... | assistant props (uncredited) |
Sound Department
C.A. Riggs | ... | sound |
Special Effects by
Ray Foster | ... | special effects |
William C. McGann | ... | special effects director (as William McGann) |
Camera and Electrical Department
George Dye | ... | camera technician (uncredited) |
Frank Flanagan | ... | gaffer (uncredited) |
Gibby Germaine | ... | best boy (uncredited) |
Henry Lehman | ... | assistant camera (uncredited) |
Jim L. Mathews | ... | assistant camera (uncredited) |
George Gordon Nogle | ... | second camera (uncredited) |
Jack Woods | ... | still photographer (uncredited) |
Warren Yaple | ... | grip (uncredited) |
Costume and Wardrobe Department
Milo Anderson | ... | wardrobe |
Roy Dumont | ... | wardrobe (uncredited) |
Helen Goodman | ... | wardrobe (uncredited) |
Eugene Joseff | ... | costume jeweller (uncredited) |
Rydo Loshak | ... | wardrobe (uncredited) |
Mina Willowbird | ... | wardrobe (uncredited) |
Editorial Department
Natalie Kalmus | ... | color director: Technicolor |
James Leicester | ... | montage |
Lee Huntington | ... | assistant editor (uncredited) |
Music Department
Murray Cutter | ... | orchestral arrangements |
Leo F. Forbstein | ... | musical director |
Louis Kaufman | ... | musician: violin (uncredited) |
Script and Continuity Department
Fred Applegate | ... | script supervisor (uncredited) |
Additional Crew
Monroe W. Burbank | ... | associate technicolor color director |
Herschel Daugherty | ... | dialogue director |
Katherine Briggs Dodge | ... | technical advisor (as Mrs. Clarence Day) |
Oscar Serlin | ... | from the stage production |
Fred Banker | ... | unit publicist (uncredited) |
Amelia de Ferris | ... | teacher (uncredited) |
John Roche | ... | stand-in: William Powell (uncredited) |
Hildegarde Scott | ... | diction coach (uncredited) |
Jacqueline Warrington | ... | stand-in: Irene Dunne (uncredited) |