... not that Kay Francis was unaccustomed to suffering unjustly during her films, but the guy she falls for - yikes!
Kay plays the titular Mary, going through medical school with a guy she has loved since childhood, Don Andrews (Warner workhorse Lyle Talbot). They open a medical practice together, but Don is more interested in taking the easy way up, and he has affection for Mary but not love, which he has made no secret about. So he marries socialite Lois Cavanaugh, portrayed almost unrecognizably by Thelma Todd, and with that marriage comes a patronage job with the city.
But as Mary works hard at her practice, Don is skimming some then lots off the top from his patronage job and drinking heavily because his marriage with Lois is not working out. Mary takes over for him during an operation because he wanders into the OR blind drunk. When they accidentally meet up at a resort where he is hiding from an indictment - which he tells her all about - and she is recovering from overwork they spend a night together. Now, Don is honestly fooled - his wife lies and says she is having a baby to prevent the divorce he wants so that he can marry Mary. But how can Mary reconcile the fact that Don said the two have been through with one another a long time with her getting pregnant? Being a doctor she must know how these things happen! Plus there is a little matter of him being a drunken embezzler. Like I said before - Yikes! Mary you can do much better! But wait there's more that you'll have to find out about yourself when you watch it.
There are some great touches in this one. Glenda Farrell is more of the second lead than Lyle Talbott is here. He barely gets to act in this one. Glenda, as Mary's nurse and best friend, has a load of precode one liners. And then there is the teenage patient of Mary's who already has ulcers worrying about the state of the economy and banking system during the Depression, and not because he is hungry.
Even though this has lots of heavily trodden precode tropes, Kay Francis and Glenda Farrell make it worthwhile.
Kay plays the titular Mary, going through medical school with a guy she has loved since childhood, Don Andrews (Warner workhorse Lyle Talbot). They open a medical practice together, but Don is more interested in taking the easy way up, and he has affection for Mary but not love, which he has made no secret about. So he marries socialite Lois Cavanaugh, portrayed almost unrecognizably by Thelma Todd, and with that marriage comes a patronage job with the city.
But as Mary works hard at her practice, Don is skimming some then lots off the top from his patronage job and drinking heavily because his marriage with Lois is not working out. Mary takes over for him during an operation because he wanders into the OR blind drunk. When they accidentally meet up at a resort where he is hiding from an indictment - which he tells her all about - and she is recovering from overwork they spend a night together. Now, Don is honestly fooled - his wife lies and says she is having a baby to prevent the divorce he wants so that he can marry Mary. But how can Mary reconcile the fact that Don said the two have been through with one another a long time with her getting pregnant? Being a doctor she must know how these things happen! Plus there is a little matter of him being a drunken embezzler. Like I said before - Yikes! Mary you can do much better! But wait there's more that you'll have to find out about yourself when you watch it.
There are some great touches in this one. Glenda Farrell is more of the second lead than Lyle Talbott is here. He barely gets to act in this one. Glenda, as Mary's nurse and best friend, has a load of precode one liners. And then there is the teenage patient of Mary's who already has ulcers worrying about the state of the economy and banking system during the Depression, and not because he is hungry.
Even though this has lots of heavily trodden precode tropes, Kay Francis and Glenda Farrell make it worthwhile.