"Prey" unfolds as an exceedingly disappointing cinematic venture, plagued by a host of glaring issues that detract significantly from its overall impact. The film's direction, unfortunately, falls well below par, suggesting that perhaps the director might benefit from exploring career options beyond the realm of filmmaking. The storyline meanders into the realms of the nonsensical, lacking coherence and any semblance of depth, making it a challenging watch for those seeking meaningful narrative engagement.
The characters, particularly the doctor, are depicted in a manner that borders on the absurd, showcasing a bewildering lack of survival instincts that one would reasonably expect to find in such a context. This lack of common sense and logical decision-making extends to the entire group, whose actions-or, more accurately, inactions-serve only to frustrate and confound the audience. A prime example of this is the bewildering decision to eschew assault rifles when presented with an opportunity to arm themselves adequately for protection, a choice that defies basic survival logic and further undermines the believability of the narrative.
Such fundamental flaws in character development and plot construction render "Prey" a film that fails to deliver on any of its potential, ultimately making it a forgettable and regrettable viewing experience. Viewers in search of a film that offers compelling storytelling, logical character behavior, and a sense of narrative satisfaction would be well-advised to steer clear of this cinematic misfire. In sum, "Prey" is an exercise in how not to craft a movie, epitomizing a wasted opportunity in the thriller genre and serving as a stark reminder of the importance of coherent storytelling and character development in filmmaking.
The characters, particularly the doctor, are depicted in a manner that borders on the absurd, showcasing a bewildering lack of survival instincts that one would reasonably expect to find in such a context. This lack of common sense and logical decision-making extends to the entire group, whose actions-or, more accurately, inactions-serve only to frustrate and confound the audience. A prime example of this is the bewildering decision to eschew assault rifles when presented with an opportunity to arm themselves adequately for protection, a choice that defies basic survival logic and further undermines the believability of the narrative.
Such fundamental flaws in character development and plot construction render "Prey" a film that fails to deliver on any of its potential, ultimately making it a forgettable and regrettable viewing experience. Viewers in search of a film that offers compelling storytelling, logical character behavior, and a sense of narrative satisfaction would be well-advised to steer clear of this cinematic misfire. In sum, "Prey" is an exercise in how not to craft a movie, epitomizing a wasted opportunity in the thriller genre and serving as a stark reminder of the importance of coherent storytelling and character development in filmmaking.