I was temptented to define this episode as the worst of series. A modest series, source of many dessapointments. But the encounter between Marie and Werner, sure, far by novel, sure, cheesy and some pathetic saves , in some measure, a final episode who ignores beautiful images offered by novel for strange to dumb situations.
Indeed, it is a Netflix serie and this explains, maybe excuses many things.
At the final, the precious virtue of series remains the young Nell Sutton. The fundamental bad- ad usum Delphini version itself, who i perceved as an insult against the novel.
Sure, I repeat, it is a series for people who do not read the book. The problem is the fact than this series works not as kick to discover the work of Doerr.
About this episode, the portrait of von Rumpel, so simplist, is just unfair to hidious. A good point, maybe the end for Werner, more soft by book. Bad thing- the absence of meet of Marie and Jutta or the pitty presence of Volkheimer. A good thing- the portrait of Bastian. The bad thing - the absence of Frederick. Like the death of Etienne or his encounter with Werner .
Sure, after you read this kind of novel, you are , obvious, profound subjective.
But the series is , with huge indulgence, only reasonable. The director sees his audience as a poor one and the dialogue is the first proof .
Indeed, it is a Netflix serie and this explains, maybe excuses many things.
At the final, the precious virtue of series remains the young Nell Sutton. The fundamental bad- ad usum Delphini version itself, who i perceved as an insult against the novel.
Sure, I repeat, it is a series for people who do not read the book. The problem is the fact than this series works not as kick to discover the work of Doerr.
About this episode, the portrait of von Rumpel, so simplist, is just unfair to hidious. A good point, maybe the end for Werner, more soft by book. Bad thing- the absence of meet of Marie and Jutta or the pitty presence of Volkheimer. A good thing- the portrait of Bastian. The bad thing - the absence of Frederick. Like the death of Etienne or his encounter with Werner .
Sure, after you read this kind of novel, you are , obvious, profound subjective.
But the series is , with huge indulgence, only reasonable. The director sees his audience as a poor one and the dialogue is the first proof .