From deflecting bracelets to the lasso of truth Wonder Woman propels onto the tv screen. This pilot brings the first successful live action interpretation of arguably the most popular female protagonist to be adapted from comic to screen. Although it appears dated in comparison to nowadays this series still manages to bring a lovable warm charm and as Diana Prince (Lynda Carter) presses all the right buttons. There is a subtle difference in the way she transforms from a cute everyday woman to a sassy empowering goddess.
The memorable scene with Ashley Normans (Red Button) as a double crossing showman to a devious Nazi informant is quite intriguing to say the least. The idea that if a meta-human was to live in our world would they instantly be exploited to make money? It seems feasible to me.
(Lyle Waggoner) is Steve Trevor and anybody who knows anything of Wonder Woman would know he is the first man Diana experiences as they cross paths on the shores of paradise Island or more recently know as Themyscira. The Island full of beautiful women highly trained and skilled in combat seeking peace away from the world of man. Lyle Waggoner plays as good part and has good chemistry with Lynda Carter. There is a cuteness to Diana outside her alter ego as Wonder Woman. It's difficult to fault any acting in this early pilot although it does seem to take itself slight more serious than say Adam's Wests Batman. (Henry Gibson) is great as the babbling baddie Nikolas as well as being accompanied by Marcia (Stella Stevens) and Captain Drangel (Eric Braeden).
The direction is nothing too fancy but doesn't really need to be, although the stunts are very dated and show nothing more than Wonder Woman shoving and pushing her foes to the ground with force and strength. The physical presence of Lynda Carter is impressive she certain looks the part and is sexy doing it. You can tell they are working to a budget with some of the action sequences and keeping it more basic with what's possible for the time.
Story wise it's pretty much the opener, the narrative of Diana's journey venturing out to discover the world of man for the first time. All in all its the one I am most familiar with, this isn't a bad thing it's just I'm looking forward to discovering new stories as I haven't read many of the comics.
The title sequence is cheesy yet catchy, allowing the audience to not over analyse and hopefully escape reality as well as enjoying the ride.
The memorable scene with Ashley Normans (Red Button) as a double crossing showman to a devious Nazi informant is quite intriguing to say the least. The idea that if a meta-human was to live in our world would they instantly be exploited to make money? It seems feasible to me.
(Lyle Waggoner) is Steve Trevor and anybody who knows anything of Wonder Woman would know he is the first man Diana experiences as they cross paths on the shores of paradise Island or more recently know as Themyscira. The Island full of beautiful women highly trained and skilled in combat seeking peace away from the world of man. Lyle Waggoner plays as good part and has good chemistry with Lynda Carter. There is a cuteness to Diana outside her alter ego as Wonder Woman. It's difficult to fault any acting in this early pilot although it does seem to take itself slight more serious than say Adam's Wests Batman. (Henry Gibson) is great as the babbling baddie Nikolas as well as being accompanied by Marcia (Stella Stevens) and Captain Drangel (Eric Braeden).
The direction is nothing too fancy but doesn't really need to be, although the stunts are very dated and show nothing more than Wonder Woman shoving and pushing her foes to the ground with force and strength. The physical presence of Lynda Carter is impressive she certain looks the part and is sexy doing it. You can tell they are working to a budget with some of the action sequences and keeping it more basic with what's possible for the time.
Story wise it's pretty much the opener, the narrative of Diana's journey venturing out to discover the world of man for the first time. All in all its the one I am most familiar with, this isn't a bad thing it's just I'm looking forward to discovering new stories as I haven't read many of the comics.
The title sequence is cheesy yet catchy, allowing the audience to not over analyse and hopefully escape reality as well as enjoying the ride.