Laura Moss' engrossing medical thriller is an update on the regeneration of the dead theme. Pathologist Dr. Rose Casper (a determined Marin Ireland) has been experimenting with reviving dead tissue of animals. Opportunity knocks one day when a six year old girl Lila (A. J. Lister) is wheeled into the morgue. Dr. Casper springs into action making the dead child her biggest experiment yet. Things get infinitely more complicated when Lila's mother, Celie (a fierce Judy Reyes), finds out. Celie happens to be a nurse.
What makes Moss and co-writer Brenden J. O'Brien's screenplay so involving is that it focuses more on parenting and morality than the experiment itself. The story sets up a fascinating dynamic between the two medical professionals. As Lila's mother, Celie, obviously has a maternal attachment to her daughter, but, there is also a symbiotic relationship that develops between the Creator and her Creation. Dr. Casper is fully committed to her work, even using her own body as a vessel for her experiments. Still, a mother's bond is inviolate. It becomes more than just a test of wills, everything is at stake for both women -- even at the expense of the Lila's unfortunate soul.
Moss' direction is gripping and the script plays out in an intelligent direction save for one miss-step which seems to be included as if to justify the "horror film" label. It does get gruesome, but never for it's own sake. The basic theme, of course, goes back to Mary Shelley's Frankenstein myth. There are no significant male characters. It's a powerful collaboration between Moss and her four main actresses (Breeda Wool plays an expectant mother who gets caught up in the crossfire). Ireland and Reyes are exceptional as the dueling women at the center of the tale.
BIRTH/REBIRTH updates an old tale. The storytelling isn't the most innovative, but it's smartly told and genuinely thought-provoking - not to mention disturbing.
What makes Moss and co-writer Brenden J. O'Brien's screenplay so involving is that it focuses more on parenting and morality than the experiment itself. The story sets up a fascinating dynamic between the two medical professionals. As Lila's mother, Celie, obviously has a maternal attachment to her daughter, but, there is also a symbiotic relationship that develops between the Creator and her Creation. Dr. Casper is fully committed to her work, even using her own body as a vessel for her experiments. Still, a mother's bond is inviolate. It becomes more than just a test of wills, everything is at stake for both women -- even at the expense of the Lila's unfortunate soul.
Moss' direction is gripping and the script plays out in an intelligent direction save for one miss-step which seems to be included as if to justify the "horror film" label. It does get gruesome, but never for it's own sake. The basic theme, of course, goes back to Mary Shelley's Frankenstein myth. There are no significant male characters. It's a powerful collaboration between Moss and her four main actresses (Breeda Wool plays an expectant mother who gets caught up in the crossfire). Ireland and Reyes are exceptional as the dueling women at the center of the tale.
BIRTH/REBIRTH updates an old tale. The storytelling isn't the most innovative, but it's smartly told and genuinely thought-provoking - not to mention disturbing.