Sandra Oh may be a tad too old to play Awkwafina's sister, but she totally aced her eccentric character. Whenever she shows up, hilarity ensues be it in the form of one-liners or slapstick. The sisterly chemistry pretty much works, and that's why the film works too, even when the plot and some of its developments lack punch. Their mum is positioned as a pivotal character, and much of the proceedings happen because of the precarious situation she's put them in, but for whatever reason, she remains a ghost in the film. Heck, the old nagging neighbour, played by Holland Taylor, has better texture (and a few fun scenes). The soundtrack also features some recent hits, and the placements for 'Watermelon Sugar' and 'Edamame' are perfect.
Jason Schwartzman and Will Ferrell round off the ensemble in roles tailormade for them. It's Sandra Oh and her wild antics that keep the film upbeat and entertaining for the most part. The writing also gives her the best scenes (and dialogues); no questions there. Awkwafina's raspy voice continues to irk me a little, but credit where it's due - she's not bad here. I also need to applaud the child/teen actors (Jodi Hou and Shirley Chen) who played the sisters' younger versions, as they were lovely. Since the film is too busy crafting chuckle-worthy scenes and getting to its endgame, it doesn't really leave a mark in terms of exploring themes like the Asian American lifestyle (and struggles), sisterhood, or introversion.
Jason Schwartzman and Will Ferrell round off the ensemble in roles tailormade for them. It's Sandra Oh and her wild antics that keep the film upbeat and entertaining for the most part. The writing also gives her the best scenes (and dialogues); no questions there. Awkwafina's raspy voice continues to irk me a little, but credit where it's due - she's not bad here. I also need to applaud the child/teen actors (Jodi Hou and Shirley Chen) who played the sisters' younger versions, as they were lovely. Since the film is too busy crafting chuckle-worthy scenes and getting to its endgame, it doesn't really leave a mark in terms of exploring themes like the Asian American lifestyle (and struggles), sisterhood, or introversion.