... because the whole thing goes down so easy.
It's an odd combination - Red Skelton and Fred Astaire. It was the only time that they ever played opposite one another. They were both in a couple of the big MGM ensemble musicals of the era - "Ziegfeld Follies" comes to mind - but they didn't do anything together in them. That's too bad, because their styles seem to bring out the best in each other as far as acting goes. Fred becomes more of a comic. Red becomes subdued.
This is the very fictionalized biopic of songwriting team Bert Kalmar (Fred Astaire) and Harry Ruby (Red Skelton). In the film, Kalmar is a dancer who is a part time playwright and magician. One night when Kalmar is performing his magic act, Ruby, a stagehand, manages to accidentally destroy everything single-handedly, causing Kalmar to get laughed off the stage. This is the "meet cute" phase. When Kalmar injures his knee and must lay off dancing for two years, he becomes a full-time songwriter and ends up reluctantly partnered with Ruby, who he still blames for ruining his act that one time. Of course, reluctance turns to friendship and great success. There are squabbles along the way and Kalmar and his wife (Vera Ellen of the tiny waistline) step in to discretely disrupt Ruby's bad romantic choices.
The squabbles are short lived and on the surface, for there really are no villains in this film, not even a buffoonish one like Singin' In the Rain's Lena Lamont. It's just the great balance of comedy, music, and heart that many of MGM's other musicals wanted to be but just could not quite accomplish. This one has aged very well, and I'd recommend it.
It's an odd combination - Red Skelton and Fred Astaire. It was the only time that they ever played opposite one another. They were both in a couple of the big MGM ensemble musicals of the era - "Ziegfeld Follies" comes to mind - but they didn't do anything together in them. That's too bad, because their styles seem to bring out the best in each other as far as acting goes. Fred becomes more of a comic. Red becomes subdued.
This is the very fictionalized biopic of songwriting team Bert Kalmar (Fred Astaire) and Harry Ruby (Red Skelton). In the film, Kalmar is a dancer who is a part time playwright and magician. One night when Kalmar is performing his magic act, Ruby, a stagehand, manages to accidentally destroy everything single-handedly, causing Kalmar to get laughed off the stage. This is the "meet cute" phase. When Kalmar injures his knee and must lay off dancing for two years, he becomes a full-time songwriter and ends up reluctantly partnered with Ruby, who he still blames for ruining his act that one time. Of course, reluctance turns to friendship and great success. There are squabbles along the way and Kalmar and his wife (Vera Ellen of the tiny waistline) step in to discretely disrupt Ruby's bad romantic choices.
The squabbles are short lived and on the surface, for there really are no villains in this film, not even a buffoonish one like Singin' In the Rain's Lena Lamont. It's just the great balance of comedy, music, and heart that many of MGM's other musicals wanted to be but just could not quite accomplish. This one has aged very well, and I'd recommend it.