Extracted by Shintoho from a TV series, although pure space opera, 'Attack from Space' has serviceable production design with vivid special effects - although the spaceships still recall Ed Wood's hubcaps - and provides an interesting backdrop of postwar Japan; while the threat to mankind is prophetically called the 'Death Star'.
As befits the postwar spirit the stress is upon the citizens of Earth uniting behind Starman against an alien race called Superians who plan "to conquer the entire universe" (starting by blowing up the Tower of London) while the noble Dr Yamanaka declares himself "against war" and constantly stresses that the project he's working on is for "peaceful purposes".
Starman himself being Japanese shows a considerably greater propensity for violence than your average superhero, ditto his enthusiastic use of firearms.
As befits the postwar spirit the stress is upon the citizens of Earth uniting behind Starman against an alien race called Superians who plan "to conquer the entire universe" (starting by blowing up the Tower of London) while the noble Dr Yamanaka declares himself "against war" and constantly stresses that the project he's working on is for "peaceful purposes".
Starman himself being Japanese shows a considerably greater propensity for violence than your average superhero, ditto his enthusiastic use of firearms.