When the Dutch boss of an Indonesian sugar cane plantation suddenly dies 150 years ago, his progeny travel from Holland to take over the enterprise. Upon their arrival a secret is revealed that upends the lives of everyone who lives there. Normal rules don't apply anymore and the place descends into chaos.
Everyone has a screw loose In this darkly humorous genre twister. It is quirky, irreverent, erotic, playful, and absolutely puts no one on a pedestal. The film crew spent five months in Indonesia and recorded some amazing shots of green mountain wilderness and waterfalls. The film is witty, stylish, and imaginative. It takes advantage of the natural light and adds some intriguing artistic touches to how the film flows. I loved that the characters were complex, not black and white, and did unexpected things.
"I wanted to learn more about the dark side of Dutch colonial history," said director Ena Sendijarevic who was present at this North American premier screening at the Toronto International Film Festival. "We didn't learn this at home or in school." Sendijarevic was influenced to go to Indonesia by Henri Rousseau. "Even though he never went there m, he painted the jungle."
"You don't have to be somewhere to be from there."
In a similar manner Sweet Dreams took me into the Indonesian sugar cane fields and wilderness frontier from 150 years ago.
Everyone has a screw loose In this darkly humorous genre twister. It is quirky, irreverent, erotic, playful, and absolutely puts no one on a pedestal. The film crew spent five months in Indonesia and recorded some amazing shots of green mountain wilderness and waterfalls. The film is witty, stylish, and imaginative. It takes advantage of the natural light and adds some intriguing artistic touches to how the film flows. I loved that the characters were complex, not black and white, and did unexpected things.
"I wanted to learn more about the dark side of Dutch colonial history," said director Ena Sendijarevic who was present at this North American premier screening at the Toronto International Film Festival. "We didn't learn this at home or in school." Sendijarevic was influenced to go to Indonesia by Henri Rousseau. "Even though he never went there m, he painted the jungle."
"You don't have to be somewhere to be from there."
In a similar manner Sweet Dreams took me into the Indonesian sugar cane fields and wilderness frontier from 150 years ago.