A story about a demonically possessed painting offers at least some possibilities for generating horror; how astoundingly far this can be taken in skillful hands was demonstrated with the conceptually similar idea of a demonically possessed mirror in OCULUS (2013), a minor horror (non-found footage) masterpiece.
THE WHISPERING MAN, a story centered on a possessed painting and set in Hungary, has at least the seed of an idea that could have turned into an effective horror film, but unfortunately nothing is done with it here.
Virtually everything is bad: the dialogue, the delivery, the direction, the plot, and on and on. On top of that, every single character in the small cast behaves like an idiot at some point. Seldom have I seen a film which suffered from such a bad case of stupid character syndrome.
This is bottom of the barrel stuff. Not recommended.
THE WHISPERING MAN, a story centered on a possessed painting and set in Hungary, has at least the seed of an idea that could have turned into an effective horror film, but unfortunately nothing is done with it here.
Virtually everything is bad: the dialogue, the delivery, the direction, the plot, and on and on. On top of that, every single character in the small cast behaves like an idiot at some point. Seldom have I seen a film which suffered from such a bad case of stupid character syndrome.
This is bottom of the barrel stuff. Not recommended.