The Dardenne brothers' (Luc and Jean-Pierre) latest is another in their generally low key, but precisely well-observed tales. Adolescent Tori (Pablo Schils) and his older sister Lokita (Joely Mbundu) are African immigrants in Belgium who are fighting to remain in their new country together. Immigration officials are dubious of their claims with the elder woman being on particularly shaky ground.
The plot dynamics are, as is almost always the case with the Dardennes, less important than the day to day lives of the main characters. Tori and Lokita must not only deal with the government, but, also the prejudices of local law enforcement and citizenry, but, also an entire underground system which takes abusive advantage of their migrant status. It becomes an acutely painful reality that Tori and Lokita often are put in the position of breaking the law in order to remain "within" the law.
Schils and Mbundu have natural screen presences that transcend the dialogue. Their wills to survive shine through even if their characters may lack the ability to verbalize their struggle. Alban Ukaj is effective as a slimy local businessman who humiliates the immigrants even as he professes to be assisting them.
TORI AND LOKITA is a bit too brief to fully capture the totality of their lives, but, there's a humanity, and, for the Dardennes, even a bit of righteous anger that manages to make its points.
The plot dynamics are, as is almost always the case with the Dardennes, less important than the day to day lives of the main characters. Tori and Lokita must not only deal with the government, but, also the prejudices of local law enforcement and citizenry, but, also an entire underground system which takes abusive advantage of their migrant status. It becomes an acutely painful reality that Tori and Lokita often are put in the position of breaking the law in order to remain "within" the law.
Schils and Mbundu have natural screen presences that transcend the dialogue. Their wills to survive shine through even if their characters may lack the ability to verbalize their struggle. Alban Ukaj is effective as a slimy local businessman who humiliates the immigrants even as he professes to be assisting them.
TORI AND LOKITA is a bit too brief to fully capture the totality of their lives, but, there's a humanity, and, for the Dardennes, even a bit of righteous anger that manages to make its points.