I suppose, correct is the honest definition of this film. A film about two worlds, so differrent and, in some measure, painful familiar.
A provocative subject explored in honest terms.
And beautiful work of Emily Watson, proposing a powerful, moving portrait of Aileen, a Paul Mescal interesting for the manner to be out the images created in Normal People and Aftersun, the seductive effort of Aisling Franciosi to explore, in subtle - precise manner, the universe of Sarah - the scene of Sarah front to her door , with so powerful Rennaisence touch is just magnificent -.
In short, one of familiar stories near us. A son and his abusive gesture , blamed by laws. A mother front to the option to help him , including for status of prodigal son. Beautiful images, correct exploration of dilemma and the perfect , in this case, for this subject, slow rhytm. And the fair end.
In many senses, a question - film to the audience. Great acting, nice music and a simple way to build the subjective truth, in many cases- situations, the only significant one.
In short, fair work. Emilz Watson.
A provocative subject explored in honest terms.
And beautiful work of Emily Watson, proposing a powerful, moving portrait of Aileen, a Paul Mescal interesting for the manner to be out the images created in Normal People and Aftersun, the seductive effort of Aisling Franciosi to explore, in subtle - precise manner, the universe of Sarah - the scene of Sarah front to her door , with so powerful Rennaisence touch is just magnificent -.
In short, one of familiar stories near us. A son and his abusive gesture , blamed by laws. A mother front to the option to help him , including for status of prodigal son. Beautiful images, correct exploration of dilemma and the perfect , in this case, for this subject, slow rhytm. And the fair end.
In many senses, a question - film to the audience. Great acting, nice music and a simple way to build the subjective truth, in many cases- situations, the only significant one.
In short, fair work. Emilz Watson.