I don't know who made this the director... Well if it was ... He should look for a different line of work ... First of all the only band member here that had any signficance what Robert Fripp. And something is bugging him... I don't know if it was because it was the end of Crimson forever .. But he just seemed like a bitter old business man... Which part of this is true. If you do you own view of Crimson which your going to have to ... In my opinion I look at it like this In the 1970's 1980's and 1990's up to when those letters. EG was dismissed and I forget if it was the 1990's or not. But that just symbolic. It's about when first King Crimson made their first box set which mostly everything has been compact discs since. From the first square CD box set with that black and white booklet square shape next the live The Great Receiver and then Crimson reunited in 1994 for Vroom to Thrak ... Technology was taking more control over the band they toured from 1994 to 1996 and then Robert thought up of a idea to somehow get rid of Brugord and Levin called The Projeckts ... This had the new technology of Sound scapes the Roland drum kit making the stick talk and Bruford doing some insane stuff on a acoustic kit some of the more far playing I ever heard him do ... And withoutwarning Crimson with Belew ( you have to wonder about that did Robert really want like David Sylvian or who he eventually got Jakko who I never really liked and even more his remixing on certain classic Prog albums were ruined the high end when he would mix stuff barely existed... You have to multi crank the high end to hear anything. But this was a beginning... It was DGMlive which gave me the creeps.... For a band who hated bootleggers basically sold everyone they could find of one and the whole control of flash photography.. Fripp was a different person in the 1970's and the 1980's but the 1990's he mainly sat in the dark directly in the middle between Pat and Bill with no light almost like he wasn't there and had no emotion. Like he just seemed distraught and the 1990's was a freaking long tour for 2 years. So what started at remastering kept getting remastered and finally he emptied the vault out which I was and Crimson fans were wishing for but then you get them and your so overwhelmed you don't even want to hear the band anymore... And from someone who probably didn't want to sell mugs and shirts of Crimson's career that's what you will find on DGMlive.... Box sets shirts buttons ties just everything Crimson.. When there was time you be lucky to get a live album... So Fripp in the movie has this strange I'm not sure what it is because every word I think of will probably be wrong. And the documentary this Crimson was 90 percent a well oiled cover band... With nothing but complaining. This is not what Crimson is about but that's what I saw...And that's why the Q and A people even I watching was afraid of Fripp he's like so how did like this piece of crap.
