Dark and disturbing, Nitram is a film that causes us anxiety even knowing what is coming. Or precisely because we know what is coming.
A lot has to fail for such tragedies to happen, but life and the world are really full of these failures that continue to happen every day and we continue to look the other way. Mental health and the way it is seen by society - including those who should protect us - is one of the themes that this film gets right. It is also right when it tells us that weapons will never be in the right hands because there are no right hands to hold a weapon. What is a good hand today may be a bad hand tomorrow. There is a long way to go on this path and not even the minimum of the minimums is done.
Caleb Landry Jones' performance is impressive. I saw the character in it. I saw the traumas, the difficulties, the attempts, the rejections, and all the confusion in his head. And, unfortunately, I also saw exits that he did not see. All the characters around him are well-created and deserve case studies in their own right. They all want something different for him, and many end up doing wrong in the process.
With a raw direction and a slow pace (a cut with less 10 minutes would have been beneficial), this is a film that knows what it wants and what it has to be. It's not supposed to be a pleasant experience. It is necessary. It is required. It exists because now and then we need a hard punch in the stomach to realize where we are all failing.
A lot has to fail for such tragedies to happen, but life and the world are really full of these failures that continue to happen every day and we continue to look the other way. Mental health and the way it is seen by society - including those who should protect us - is one of the themes that this film gets right. It is also right when it tells us that weapons will never be in the right hands because there are no right hands to hold a weapon. What is a good hand today may be a bad hand tomorrow. There is a long way to go on this path and not even the minimum of the minimums is done.
Caleb Landry Jones' performance is impressive. I saw the character in it. I saw the traumas, the difficulties, the attempts, the rejections, and all the confusion in his head. And, unfortunately, I also saw exits that he did not see. All the characters around him are well-created and deserve case studies in their own right. They all want something different for him, and many end up doing wrong in the process.
With a raw direction and a slow pace (a cut with less 10 minutes would have been beneficial), this is a film that knows what it wants and what it has to be. It's not supposed to be a pleasant experience. It is necessary. It is required. It exists because now and then we need a hard punch in the stomach to realize where we are all failing.