Maybe, the naked realism remains the basic virtue of this film . A form of realism defined first by language. I suppose, only a Romanian can understand, in real and proper manner, the entire pressure of situations, language, dialogue .
A jandarm and an intervention in a delicate case.
A presumed ex-boyfriend recognize him and having the foulish inspiration to remind to him the past. And the brutal, for me not exactly illegitimate, reaction of jandarm. The rest is the expectation of Cristi about the decision of his supperiors about the violence act of him.
At the final, you discover a courageous and deep honest film, different by many others offered by Romanians directors in the last decades.
Sure, the language is fruste, but it is not exactly a gay movie, an image of Jandarmeria or portrait of a man in difficult , stressed situation.
It is just the portrait, clear, precise of Romanian society. And this is the motif to appreciate it , like the impressive courage of director to propose a sort of mirror front to the viewer.
Presented in gentle manner. A group of men, a.
A jandarm and an intervention in a delicate case.
A presumed ex-boyfriend recognize him and having the foulish inspiration to remind to him the past. And the brutal, for me not exactly illegitimate, reaction of jandarm. The rest is the expectation of Cristi about the decision of his supperiors about the violence act of him.
At the final, you discover a courageous and deep honest film, different by many others offered by Romanians directors in the last decades.
Sure, the language is fruste, but it is not exactly a gay movie, an image of Jandarmeria or portrait of a man in difficult , stressed situation.
It is just the portrait, clear, precise of Romanian society. And this is the motif to appreciate it , like the impressive courage of director to propose a sort of mirror front to the viewer.
Presented in gentle manner. A group of men, a.