What starts as a possession film with elements of almost absurdist comedic over the top acting shifts halfway through toward a questioning contemplative study of faith, possession, and connection. This isn't a standard film that most people who are drawn to religious possession films will most likely enjoy. It is a smaller independent film with subtle themes. Molly C. Quinn gives an excellent quiet performance that I felt captured the uncertainty of faith, the sense of lost love, and the personal confusion when trying to find one's way in life. The film does better in the second half with the personal exploration than the possession elements.
Review of Agnes
