Two girls from America go hiking across the Scottish Highlands. Meanwhile two ne'er do wells are travelling across, robbing remote mansions and roofying local ladies. Of course both pairings will meet. Something about the immovable object meeting an unstoppable force? Starting with shades of American Werewolf without the werewolf, this then ventures into And Soon the Darkness meets Vanishing, before descending into a twist filled 90's cable thriller (in the best possible way). All it needed was Eric Roberts.
Despite a low budget, the film achieves its goals. A lot of micro budget cinema tends to feel very non-descript with their locations, often confining the action to a few cheap places and feeling like you could be anywhere. Not so here, as When Darkness Falls slowly builds, displaying sprawling Scottish backdrops (a rare abundance of drone shots which don't feel unnecessary) that are sparse and rugged. When Andrea disappears, Jess must find her in a landscape near devoid of people (and the few she meets are less than friendly). I won't say too much as the second act kicks off into a twisty turny pot boiler. Michaela Longden does a great job, as does Emma O'Hara. Director/producer/actor/editor/caterer? Nathan Shepka checks every role off with flying colours. The film looks great, the score is pleasingly Carpenter-esque, and despite the kind of rough edges that are unavoidable on something that was apparently shot for 25k (though looks substantially more), this really did entertain. The artwork and trailer intrigued me and I'm glad I took the punt.
Despite a low budget, the film achieves its goals. A lot of micro budget cinema tends to feel very non-descript with their locations, often confining the action to a few cheap places and feeling like you could be anywhere. Not so here, as When Darkness Falls slowly builds, displaying sprawling Scottish backdrops (a rare abundance of drone shots which don't feel unnecessary) that are sparse and rugged. When Andrea disappears, Jess must find her in a landscape near devoid of people (and the few she meets are less than friendly). I won't say too much as the second act kicks off into a twisty turny pot boiler. Michaela Longden does a great job, as does Emma O'Hara. Director/producer/actor/editor/caterer? Nathan Shepka checks every role off with flying colours. The film looks great, the score is pleasingly Carpenter-esque, and despite the kind of rough edges that are unavoidable on something that was apparently shot for 25k (though looks substantially more), this really did entertain. The artwork and trailer intrigued me and I'm glad I took the punt.