Not all comedies are made equal. Even as this picture is directed by acclaimed filmmaker Frank Capra, and star Harry Langdon gets mentioned in the same breath as other stars of the silent era, it doesn't necessarily strike the same chord as films of his brethren. Some scenes run a little long in the tooth, and in the first place some gags or story beats rely on a concatenation of circumstances that may be a little too contrived or forced. Sadly, some bits just don't inspire much of a reaction at all, and to be frank, in 2022 the "god-fearing" folks don't come off any better than the ruffians. I suppose all this is the risk one carries with making comedies, of course. On the other hand, even if this specific title isn't perfectly, robustly funny, it's still mildly enjoyable. The root premise is full of great potential, and much of that potential is borne out with situational comedy, sight gags, and physical comedy, earning a few solid laughs. "Strong" is maybe too charged a descriptor, yet 'The strong man' is sufficiently well made to offer a good time.
Langdon demonstrates a swell sense of physicality and expression that shows why he may get mentioned alongside Chaplin, Keaton, or Lloyd. Gratifyingly, not least under Capra's guidance, his co-stars illustrate a like capacity, and their lively displays and willingness to sacrifice their bodies lends to some swell humor. Though some moments may lag at one point or another, more so than not the scene writing is duly stimulating to orchestrate the silliness, or in quieter moments to propel the story. That narrative is perhaps a tad more uneven still - at the same time that the core concept could have been teased out a little more to greater comedic effect, some aspects of the plot that we do get languish in the more dramatic elements, or constitute middling, blasé plot advancement. And, again just to emphasize - call it pacing by way of the feature overall, or timing in regards to where would-be laughs should fit into a scene: there were at least as many instances while I watched in which I thought to myself "Okay, well, moving on I suppose," as instances that sparked joy.
If it seems like I'm being more critical of 'The strong man' than not, well, I guess that's not incorrect. To be clear, I don't dislike it: broadly speaking it's well made, the cast perform admirably, and some moments are especially well done, including the climax. Only - this is a title that suggests "passive amusement" more than "active fun," and I say that as someone who loves silent movies. Some of the best movies ever made hail from the silent era, and this just isn't one of them. I appreciate the work put into it; would that the result were more consistent, and I'd like it more than I do. When all is said and done there are a lot worse things you could spend 75 minutes on, and if you happen across 'The strong man' it's a fair way to pass the time. Just don't go out of your way, and keep your expectations in check.
Langdon demonstrates a swell sense of physicality and expression that shows why he may get mentioned alongside Chaplin, Keaton, or Lloyd. Gratifyingly, not least under Capra's guidance, his co-stars illustrate a like capacity, and their lively displays and willingness to sacrifice their bodies lends to some swell humor. Though some moments may lag at one point or another, more so than not the scene writing is duly stimulating to orchestrate the silliness, or in quieter moments to propel the story. That narrative is perhaps a tad more uneven still - at the same time that the core concept could have been teased out a little more to greater comedic effect, some aspects of the plot that we do get languish in the more dramatic elements, or constitute middling, blasé plot advancement. And, again just to emphasize - call it pacing by way of the feature overall, or timing in regards to where would-be laughs should fit into a scene: there were at least as many instances while I watched in which I thought to myself "Okay, well, moving on I suppose," as instances that sparked joy.
If it seems like I'm being more critical of 'The strong man' than not, well, I guess that's not incorrect. To be clear, I don't dislike it: broadly speaking it's well made, the cast perform admirably, and some moments are especially well done, including the climax. Only - this is a title that suggests "passive amusement" more than "active fun," and I say that as someone who loves silent movies. Some of the best movies ever made hail from the silent era, and this just isn't one of them. I appreciate the work put into it; would that the result were more consistent, and I'd like it more than I do. When all is said and done there are a lot worse things you could spend 75 minutes on, and if you happen across 'The strong man' it's a fair way to pass the time. Just don't go out of your way, and keep your expectations in check.