"Crisis in Six Scenes" is a lot of fun.
Woody is just as sharp and hilarious as he's ever been (today, in our embattled world, we need his genius and wit more than ever), and he's ably abetted by another legend, Elaine May, who is also in top form. Miley Cyrus, also turns in a wonderful performance: Allen's trademark dialogue is great when he's saying it himself, but it can sometimes sound a little stilted when it comes from other actors, but Cyrus totally sells it and makes her proto-Patty Hearst-esque character believable and real.
If there's a problem with "Crisis," is that it's a hilarious ninety-minute Woody Allen movie that's been stretched out to two-and-a-half hours, to equal the running time of a six-episode streaming series, and it kind of peters out somewhere around episode four. The fault, I think, isn't with Woody Allen, but with the Amazon streaming service that required him to add unnecessary length, and to wit, the show is padded out with a few dialogue scenes that seem long and/or repetitive.
(The script also has some anachronisms in it, and in that regard, maybe Allen should have given it one more pass through the typewriter: Elaine May invites her friends over to participate in her "book club," but the series takes place in the late '60s before book clubs became popular, and these women would have probably been more inclined to play bridge or mah-jongg; Woody and Elaine's house is alarmed, but this wouldn't happen in those days, because people back then used to routinely keep their doors unlocked; there's also a scene in which Woody pitches an idea to a network, but I'm not sure if this kind of pitch meeting was commonplace back then; and in another scene, Woody and his agent dine at a deli, and the agent has ordered a taco, which I'm pretty sure you wouldn't see in NYC in the late sixties.)
On the trite "1 to 10 scale," I give "Crisis in Six Scenes" a six, because it's got a lot of filler in it, but if Allen ever decides to whittle it down to ninety minutes, there is definitely a solid "9" or "10" hiding inside of it.
Woody is just as sharp and hilarious as he's ever been (today, in our embattled world, we need his genius and wit more than ever), and he's ably abetted by another legend, Elaine May, who is also in top form. Miley Cyrus, also turns in a wonderful performance: Allen's trademark dialogue is great when he's saying it himself, but it can sometimes sound a little stilted when it comes from other actors, but Cyrus totally sells it and makes her proto-Patty Hearst-esque character believable and real.
If there's a problem with "Crisis," is that it's a hilarious ninety-minute Woody Allen movie that's been stretched out to two-and-a-half hours, to equal the running time of a six-episode streaming series, and it kind of peters out somewhere around episode four. The fault, I think, isn't with Woody Allen, but with the Amazon streaming service that required him to add unnecessary length, and to wit, the show is padded out with a few dialogue scenes that seem long and/or repetitive.
(The script also has some anachronisms in it, and in that regard, maybe Allen should have given it one more pass through the typewriter: Elaine May invites her friends over to participate in her "book club," but the series takes place in the late '60s before book clubs became popular, and these women would have probably been more inclined to play bridge or mah-jongg; Woody and Elaine's house is alarmed, but this wouldn't happen in those days, because people back then used to routinely keep their doors unlocked; there's also a scene in which Woody pitches an idea to a network, but I'm not sure if this kind of pitch meeting was commonplace back then; and in another scene, Woody and his agent dine at a deli, and the agent has ordered a taco, which I'm pretty sure you wouldn't see in NYC in the late sixties.)
On the trite "1 to 10 scale," I give "Crisis in Six Scenes" a six, because it's got a lot of filler in it, but if Allen ever decides to whittle it down to ninety minutes, there is definitely a solid "9" or "10" hiding inside of it.