'Ghare Baire' contemporarily known as 'The Home And The World' by Satyajit Ray is an adaptation of Rabindranath Tagore's novel of the same name. It is an allegory of sorts, which primarily revolves around the lives of Bimala, Nikhil and Sandip, in the backdrop of the Indian Swadeshi Movement in Bengal.
Bimala is married to Nikhil an opulent Bengali Landlord. Bimala was brought up to be the quintessential wife, who confines herself to her quarters in the Mansion, whose life revolves around her Husband's. She herself has no true existence of her own apart from being a wife to her husband. However, Nikhil, Bimala's husband is a man of modern ideals, who educates her wife, brings her out of her confinement and introduces her to the world and to Sandip. Sandip is the leader of the local Swadeshi movement who coaxes Bimala to take up his cause.
Sandip and Nikhil, despite being friends since college, are Men poles apart in Ideologies. Nikhil is a man of gentle disposition, who tends to concern himself more with the abstract than the material. He is obsequious to his virtues and morals, almost pedantic. Despite this austere way of life, he is a Liberal at heart and believes Bimala is free to make her own choices. He is a man always in scruples to do right by others, sometimes at his own expense. He intuits that the Swadeshi movement would create a social rift and doesn't support the cause despite Sandip's multiple attempts to persuade him.
Sandip on the other hand is a charming, promiscuous man. He is a confident, eloquent orator and a man of action. He doesn't concern himself with morality as long as he succeeds. He believes Men who accept their own despondency as destiny are weak men. If a man desires something he should persist to achieve it without having any scruples in regards to morality or the means involved.
When Nikhil introduces Bimala to Sandip, he opens up the world to her. But none could comprehend its consequences. When cajoled by Sandip, she agrees to take up his Swadeshi cause. She is now torn to choose between two Men of confounding ideologies. 'Ghare Baire' is the story of these consequences, the frailty of relations, and the the social rift so created by the Swadeshi movement in Bengal.
Satyajit Ray employs an ensemble cast including 'Victor Banerjee' as Nikhil, 'Soumitra Chatterjee' as Sandip and 'Swatilekha Sengupta' as Bimala. Along with them, Jennifer Kendal portrays Miss Gilby. The movie may seem slow paced to the viewer with long elaborate scenes and dialogues. However, Ray deftly dwells deep into the psyche and interrelationships of the protagonists and with the other characters such as Amulya and Nikhil's sister-in-law. Swatilekha Sengupta does a brilliant job in portraying Bimala's troubled tumultuous state of mind. And so do the other protagonists.
I was fortunate enough to have read Tagore's novel prior to watching the movie. Tagore's novel is considered, to some extent, to portray his own personal views on the Indian Swadeshi Movement. On reading more about Tagore one realises that he moulded Nikhil's character in his own light and through Nikhil he puts forth his political views.
Ray does his best to bring to life this vivid personal work, but, in my opinion, fails to completely do justice to Tagore's genius. This movie may not be Ray's best work, but it surely is one that stays on your mind and forces you to ponder. If that doesn't constitute art, then I don't know what does.
A Review by - Mohammed Saood.
Bimala is married to Nikhil an opulent Bengali Landlord. Bimala was brought up to be the quintessential wife, who confines herself to her quarters in the Mansion, whose life revolves around her Husband's. She herself has no true existence of her own apart from being a wife to her husband. However, Nikhil, Bimala's husband is a man of modern ideals, who educates her wife, brings her out of her confinement and introduces her to the world and to Sandip. Sandip is the leader of the local Swadeshi movement who coaxes Bimala to take up his cause.
Sandip and Nikhil, despite being friends since college, are Men poles apart in Ideologies. Nikhil is a man of gentle disposition, who tends to concern himself more with the abstract than the material. He is obsequious to his virtues and morals, almost pedantic. Despite this austere way of life, he is a Liberal at heart and believes Bimala is free to make her own choices. He is a man always in scruples to do right by others, sometimes at his own expense. He intuits that the Swadeshi movement would create a social rift and doesn't support the cause despite Sandip's multiple attempts to persuade him.
Sandip on the other hand is a charming, promiscuous man. He is a confident, eloquent orator and a man of action. He doesn't concern himself with morality as long as he succeeds. He believes Men who accept their own despondency as destiny are weak men. If a man desires something he should persist to achieve it without having any scruples in regards to morality or the means involved.
When Nikhil introduces Bimala to Sandip, he opens up the world to her. But none could comprehend its consequences. When cajoled by Sandip, she agrees to take up his Swadeshi cause. She is now torn to choose between two Men of confounding ideologies. 'Ghare Baire' is the story of these consequences, the frailty of relations, and the the social rift so created by the Swadeshi movement in Bengal.
Satyajit Ray employs an ensemble cast including 'Victor Banerjee' as Nikhil, 'Soumitra Chatterjee' as Sandip and 'Swatilekha Sengupta' as Bimala. Along with them, Jennifer Kendal portrays Miss Gilby. The movie may seem slow paced to the viewer with long elaborate scenes and dialogues. However, Ray deftly dwells deep into the psyche and interrelationships of the protagonists and with the other characters such as Amulya and Nikhil's sister-in-law. Swatilekha Sengupta does a brilliant job in portraying Bimala's troubled tumultuous state of mind. And so do the other protagonists.
I was fortunate enough to have read Tagore's novel prior to watching the movie. Tagore's novel is considered, to some extent, to portray his own personal views on the Indian Swadeshi Movement. On reading more about Tagore one realises that he moulded Nikhil's character in his own light and through Nikhil he puts forth his political views.
Ray does his best to bring to life this vivid personal work, but, in my opinion, fails to completely do justice to Tagore's genius. This movie may not be Ray's best work, but it surely is one that stays on your mind and forces you to ponder. If that doesn't constitute art, then I don't know what does.
A Review by - Mohammed Saood.