Stephen Karam has not only adapted his Tony award-winning play for the screen but has also directed it and an exceptional job he's made of it, too. Set almost entirely inside a virtually empty New York apartment that Beanie Feldstein's Brigid and her partner Richard, (Steven Yeun), appear to be moving into it's definitely theatrical as her father, mother, sister and grandmother join them for a Thansgiving that will turn out to be memorable for all the wrong reasons. It's the kind of apartment that Rosemary's baby might feel happy being born in, in a building that has clearly seen better days and is the kind of place that enjoys working its old black magic on anyone who visits.
In some respects it's thoroughly banal but in a deeply disconcerting way. Karam definitely has an ear for the kind of everyday, inconsequential dialogue that we call 'small talk' yet which tells us all we need to know about the people we are interacting with and his cast of six are all superb; this is a great ensemble piece with Jayne Houdyshell, repeating her Tony award-winning performance , the stand-out. Of course, it won't do any business. This is too like real life and not enough like the movies to appeal to anything like a mass audience but in its very niche way it's utterly brilliant, a horror movie in all but name and one of the best films you will see this year.
In some respects it's thoroughly banal but in a deeply disconcerting way. Karam definitely has an ear for the kind of everyday, inconsequential dialogue that we call 'small talk' yet which tells us all we need to know about the people we are interacting with and his cast of six are all superb; this is a great ensemble piece with Jayne Houdyshell, repeating her Tony award-winning performance , the stand-out. Of course, it won't do any business. This is too like real life and not enough like the movies to appeal to anything like a mass audience but in its very niche way it's utterly brilliant, a horror movie in all but name and one of the best films you will see this year.