Whether you like her reviews or loathe them, is not to be ignored. Her loosening of film criticism which was reserved as a boys only club that had to be of academic merit cannot be ignored. With archival interviews, interviewees who have discussed interactions with her and voiceover by Sarah Jessica Parker reading her reviews as well as her life story, it makes me feel that this individual no matter how flawed she may be, is an excellent example of why film criticism should not be treated as just entertaining the studio system that caters to only positive reviews without negative criticism for commercial appeal.
Sure there are people who have criticized her work as a critic for being homophobic as well as being negative on commercially successful films that earned positive praise, but there is no denying that she was also a champion for films that had not done terribly well commercially and critically. She understood the difference between what is a good trash film and a bad trash film that caters to all audiences. Unlike her contemporaries at the time who had their own platform on television to give their own takes on films that were released in theaters, her film criticism was only on print and not on any other form of medium.
Starting as a freelance critic on public radio before moving from magazine to magazine was no easy chore for her since she had a daughter and not enough money to pay for her bills. As an admirer of film directors from Walter Hill, Sam Peckinpah, Brian De Palma and Robert Altman she admires how they have been able to take stories that were considered too outside of the mainstream but were able to harness it into works of art. She was a harsh critic of the auteur theory in the prime example of filmmakers repeating the same motifs and themes in their own works but not being able to come up with anything that is original (Stanley Kubrick, Alfred Hitchcock, Charlie Chaplin, David Lean). I can understand why she has difficulty admiring these people. She was a fan of the early film work of Speilberg and Scorsese, but critical of their later work, which I also can understand since they fit in with the corporate machinations of Hollywood during that period.
Her loosening and idiosyncratic style of film criticism is no longer considered daring and shocking anymore. Nowadays it is considered the new norm when it comes to film criticism, and I for one think it is an embarassment. Something about the fractured and broken up world of film criticism is now moved to the online world. I cannot give one example of how film criticism to me can be annoying, but sometimes when humor is injected to make a point, it makes me feel that there is something lacking in it all. No human emotion, no knowledge of how certain people feel when their own works are meant to be shown to people in theaters and now in their homes via streaming services.
Pauline Kael may not have been a feminist, but she was a revolutionary for film criticism, she warned that without film critics that are self independent from the studio system, there would be critics who cater to commercialism and corporate needs that they won't have a voice to those who need to be self aware of the types of films and television shows that they watch. That is why I consider this film better in my opinion than, Life Itself (2013) about Roger Ebert, an individual who with Siskel, they're more like mean girls who are petty, vain and shallow.
That is my review of this individual and the documentary itself.
Sure there are people who have criticized her work as a critic for being homophobic as well as being negative on commercially successful films that earned positive praise, but there is no denying that she was also a champion for films that had not done terribly well commercially and critically. She understood the difference between what is a good trash film and a bad trash film that caters to all audiences. Unlike her contemporaries at the time who had their own platform on television to give their own takes on films that were released in theaters, her film criticism was only on print and not on any other form of medium.
Starting as a freelance critic on public radio before moving from magazine to magazine was no easy chore for her since she had a daughter and not enough money to pay for her bills. As an admirer of film directors from Walter Hill, Sam Peckinpah, Brian De Palma and Robert Altman she admires how they have been able to take stories that were considered too outside of the mainstream but were able to harness it into works of art. She was a harsh critic of the auteur theory in the prime example of filmmakers repeating the same motifs and themes in their own works but not being able to come up with anything that is original (Stanley Kubrick, Alfred Hitchcock, Charlie Chaplin, David Lean). I can understand why she has difficulty admiring these people. She was a fan of the early film work of Speilberg and Scorsese, but critical of their later work, which I also can understand since they fit in with the corporate machinations of Hollywood during that period.
Her loosening and idiosyncratic style of film criticism is no longer considered daring and shocking anymore. Nowadays it is considered the new norm when it comes to film criticism, and I for one think it is an embarassment. Something about the fractured and broken up world of film criticism is now moved to the online world. I cannot give one example of how film criticism to me can be annoying, but sometimes when humor is injected to make a point, it makes me feel that there is something lacking in it all. No human emotion, no knowledge of how certain people feel when their own works are meant to be shown to people in theaters and now in their homes via streaming services.
Pauline Kael may not have been a feminist, but she was a revolutionary for film criticism, she warned that without film critics that are self independent from the studio system, there would be critics who cater to commercialism and corporate needs that they won't have a voice to those who need to be self aware of the types of films and television shows that they watch. That is why I consider this film better in my opinion than, Life Itself (2013) about Roger Ebert, an individual who with Siskel, they're more like mean girls who are petty, vain and shallow.
That is my review of this individual and the documentary itself.