Shot entirely in a series of single takes, Hsiao-Hsien Hou's "Flowers of Shanghai" is set in the flower houses, (brothels), of 19th century Shanghai and the flowers are the courtesans. The film, based on the novel by Bangqing Han. Is a sumptuous, leisurely portrait of life there, comprising mostly of petty squabbles between the girls over their 'gentlemen callers'. In dramatic terms not a great deal happens. Hou's slowly moving camera becomes an interloper, picking up snatches of dialogue and conversations between the girls and their patrons, the subject almost always involving money; sex is conspiculously absent, at least on-screen. Eating and drinking seem to be the predominant pasttimes.
Superbly acted and directed and stunningly photographed and designed this magnificent film has already figured in polls of the greatest films ever made. 'Pure cinema' in the very best sense of the term and yet it could just as easily exist on the stage, (there are no exterior shots). Midway through it flirts with melodrama as movies involving jealousy are prone to do but Hou keeps even this at arm's length. It would appear that emotions in China are more restrained than some of those high-kicking action films might suggest. Gorgeous and surprisingly moving and with a surprising streak of humour, this is one of the greatest of all period films. A masterpiece.
Superbly acted and directed and stunningly photographed and designed this magnificent film has already figured in polls of the greatest films ever made. 'Pure cinema' in the very best sense of the term and yet it could just as easily exist on the stage, (there are no exterior shots). Midway through it flirts with melodrama as movies involving jealousy are prone to do but Hou keeps even this at arm's length. It would appear that emotions in China are more restrained than some of those high-kicking action films might suggest. Gorgeous and surprisingly moving and with a surprising streak of humour, this is one of the greatest of all period films. A masterpiece.