No. This film does not suck. It. Does. Not. Suck. Trust me. It's thoughtful, well acted, well written. And if you think it's boring, I implore you to never ever watch any Godard film, and to unfriend anyone who asks you to see one. Like "Alphaville".
That being said, no. This film isn't genius, or "2001", or even "Forbidden Planet". It's not a classic. It's introspective, yes, but it's not "deep" (I reserve that for something like Dostoevsky, which this isn't). But that's okay. Minor art is still art.
And I'm sorry, to all those who said that the ending is "illogical": You're wrong. Dead wrong. Given the main character's thoughts, it fits perfectly into what was foreshadowed in the plot.
Finally, ANY movie that includes T. S. Elliot in an important scene in an intelligent way is one that at least deserves a look.
Honestly, I don't understand why people who like the typical Hollywood film, or the typical Sundance film, or even the typical Cannes film (these days) bother watching movies like this and insisting on writing negative reviews. Obviously, movies such as this one won't appeal to their esthetic, or even their idea of what "narrative" means. And by doing so, they unfairly distort the perception of the film, discounting or ignoring its potential merits.
That being said, no. This film isn't genius, or "2001", or even "Forbidden Planet". It's not a classic. It's introspective, yes, but it's not "deep" (I reserve that for something like Dostoevsky, which this isn't). But that's okay. Minor art is still art.
And I'm sorry, to all those who said that the ending is "illogical": You're wrong. Dead wrong. Given the main character's thoughts, it fits perfectly into what was foreshadowed in the plot.
Finally, ANY movie that includes T. S. Elliot in an important scene in an intelligent way is one that at least deserves a look.
Honestly, I don't understand why people who like the typical Hollywood film, or the typical Sundance film, or even the typical Cannes film (these days) bother watching movies like this and insisting on writing negative reviews. Obviously, movies such as this one won't appeal to their esthetic, or even their idea of what "narrative" means. And by doing so, they unfairly distort the perception of the film, discounting or ignoring its potential merits.