Graphic violence, teenage characters, characters who are filmmakers, intense themes of suicide/self-harm, a plot that spans numerous genres, and unflinching looks at non-traditional (for lack of a better word) sexuality?
Yep, it's a Sion Sono film alright.
I worry for the guy sometimes, to be honest. I've said it before and I thought it again while watching this- so many of his films feel like cries for help, owing to just how psychologically tortured his characters are, and how disturbing the subject matter gets. It's reminiscent of dark films like Polanski's Macbeth and Chinatown; both made in the early 70s when he was trying to process the grief caused by wife Sharon Tate's brutal murder.
On the topic of The Forest of Love, though: I think this one covered a little too much familiar ground for me to call it one of his better efforts.
I also am continually frustrated by how his films alternate between looking beautiful and amateurish, sometimes from shot to shot.
But hey, it's unique, it's at he very least interesting, and I was mostly engaged for most of its runtime, so I still can't call it bad.
It also contains what must objectively be the most graphic "disposing of a body" scene I've ever seen (as a word of warning to anyone squeamish who may be contemplating watching this film).
Yep, it's a Sion Sono film alright.
I worry for the guy sometimes, to be honest. I've said it before and I thought it again while watching this- so many of his films feel like cries for help, owing to just how psychologically tortured his characters are, and how disturbing the subject matter gets. It's reminiscent of dark films like Polanski's Macbeth and Chinatown; both made in the early 70s when he was trying to process the grief caused by wife Sharon Tate's brutal murder.
On the topic of The Forest of Love, though: I think this one covered a little too much familiar ground for me to call it one of his better efforts.
I also am continually frustrated by how his films alternate between looking beautiful and amateurish, sometimes from shot to shot.
But hey, it's unique, it's at he very least interesting, and I was mostly engaged for most of its runtime, so I still can't call it bad.
It also contains what must objectively be the most graphic "disposing of a body" scene I've ever seen (as a word of warning to anyone squeamish who may be contemplating watching this film).