A Good Cast Can't Elevate this Irritating, Rough-Take on a Murder-Mystery.
The First-Act Assaults the Senses with Now Dated Drum-Machines, an Over-the-Top, Shouting Performance from, No Surprise, Rod Steiger.
Elliot Gould Shows Up as Steiger's Cop-Partner. Their Camaraderie is Non-Existent and some of the Dialog is Embarrassingly Bad.
Roger Moore seems Ill-at-Ease as a Psychoanalyst Dealing with Homosexuals and Frustrated House-Wives.
The Plot is Confusing. The Suspense is Strained, the Violence is Pedestrian, and the Story Fizzles in the End.
A Misfire from All Involved, Including Art Carney, in HIs "The Late Show" PI Persona.
Nothing in this Dreary, Dated, Film Works and Should be Avoided by Fans of Anyone Involved with this Turkey.
The First-Act Assaults the Senses with Now Dated Drum-Machines, an Over-the-Top, Shouting Performance from, No Surprise, Rod Steiger.
Elliot Gould Shows Up as Steiger's Cop-Partner. Their Camaraderie is Non-Existent and some of the Dialog is Embarrassingly Bad.
Roger Moore seems Ill-at-Ease as a Psychoanalyst Dealing with Homosexuals and Frustrated House-Wives.
The Plot is Confusing. The Suspense is Strained, the Violence is Pedestrian, and the Story Fizzles in the End.
A Misfire from All Involved, Including Art Carney, in HIs "The Late Show" PI Persona.
Nothing in this Dreary, Dated, Film Works and Should be Avoided by Fans of Anyone Involved with this Turkey.