What makes this old friend so very funny? There are lots of great setpiece sequences, like Michael Palin running over Kevin Kline in slow motion. It's the energy that Kline gives to his Oscar-winning role, the way Jamie Lee Curtis double crosses everyone, Michael Palin's stammer, Tom Georgeson's malign mastermind, the clockwork jewel robbery..... but mostly its the mean-spirited selfishness that suffuses every moment of it. It's pretty much unique for British comedy, which always seems to have a soft spot some place for the little fellow. Even the Boultings, at their most vicious, have that normative core , a sense of right and wrong, to grimace dourly at the actions of their petty tyrants.
This movie, however, makes no such claim. In fact, Cleese's monologue about the stifling, lifeless way in which the British are terrified of saying the wrong thing the terror of asking about the spouse and being told she left that morning... it's not a comedy of embarrassment. It's a comedy of shamelessness, and pretty much unique. And anyone who talks about 'poor taste' doesn't get it. It's meant to be tasteless.
This movie, however, makes no such claim. In fact, Cleese's monologue about the stifling, lifeless way in which the British are terrified of saying the wrong thing the terror of asking about the spouse and being told she left that morning... it's not a comedy of embarrassment. It's a comedy of shamelessness, and pretty much unique. And anyone who talks about 'poor taste' doesn't get it. It's meant to be tasteless.