When respected film critic David Stratton rates a movie as his all time Australian favourite it's a high bar to reach. And there's no doubt Newsfront conveys a terrific sense of post WW2 life and times, fortified by the injection of a generous dose of archival newsreel footage.
But despite boasting so many of Australia's finest new wave actors, there's a certain emotional pull missing from the fictional narrative, script and characters around the real life events. Even the film's saddest moment, occurring during the 1955 Maitland floods, whilst technically clever on one level, lacked gravitas (not aided by the newsreel inspired music). And the stunning Wendy Hughes, who plays a strong female lead in the early going, becomes oddly passive and morose by the latter stages. Perhaps it was a deliberate pattern that went to Len Maguire's (played by Bill Hunter) effect on women, his ex-wife portraying a similar demeanour throughout.
Also curious was the back and forth between colour and black & white, which I found mildly distracting for lack of any logical pattern.
Interestingly, the project was originally conceived as a documentary, and whilst the surrounding story added some depth and context to the political and historical aspect, as a drama it felt like a skipping stone through time. Writer Bob Ellis' displeasure at the cuts to his screenplay might have been justified. Or maybe the production tried to achieve too much.
All criticism aside, overall Newsfront is an above average movie that will engage, until the final Cinetone credits, anyone with an interest in Australian cinema and history.
But despite boasting so many of Australia's finest new wave actors, there's a certain emotional pull missing from the fictional narrative, script and characters around the real life events. Even the film's saddest moment, occurring during the 1955 Maitland floods, whilst technically clever on one level, lacked gravitas (not aided by the newsreel inspired music). And the stunning Wendy Hughes, who plays a strong female lead in the early going, becomes oddly passive and morose by the latter stages. Perhaps it was a deliberate pattern that went to Len Maguire's (played by Bill Hunter) effect on women, his ex-wife portraying a similar demeanour throughout.
Also curious was the back and forth between colour and black & white, which I found mildly distracting for lack of any logical pattern.
Interestingly, the project was originally conceived as a documentary, and whilst the surrounding story added some depth and context to the political and historical aspect, as a drama it felt like a skipping stone through time. Writer Bob Ellis' displeasure at the cuts to his screenplay might have been justified. Or maybe the production tried to achieve too much.
All criticism aside, overall Newsfront is an above average movie that will engage, until the final Cinetone credits, anyone with an interest in Australian cinema and history.