Of some interest to opera lovers. Irene Dunne shows off her real-life operatic talents which I'm unqualified to judge. Herman Bing, brother of opera impresario Rudolf Bing, plays a comic Wagnerian tenor and sings a little. Some comic bits about typically temperamental opera stars.
Plot revolves around a romantic triangle with Menjou as an aging opera star in New York, Hamilton as his understudy, and Dunne trying to break into the business. Turns out Dunne and Hamilton had a warm but chaste relationship while studying in Europe.
IMHO this started out to be a bit racier than your average opera flick but the studio got cold feet. Early on, Dunn seeks Menjou's mentorship and possibly more. People keep warning her about his reputation as a womanizer and she keeps saying she doesn't care, she'll do anything to get ahead even though, in the language of the day, she's maintained her "purity." Then this thread disappears and it becomes a tepid battle for her hand in matrimony between the two male leads.
Cliff Edwards has a Lee Tracy type role as a fast-talking PR man that fades away without connecting with the plot too much. Ernest Torrence plays Menjou's manservant as an effeminate sort whose only interest in life seems to be arranging and spying on his employer's love life. Kind of creepy.
Plot revolves around a romantic triangle with Menjou as an aging opera star in New York, Hamilton as his understudy, and Dunne trying to break into the business. Turns out Dunne and Hamilton had a warm but chaste relationship while studying in Europe.
IMHO this started out to be a bit racier than your average opera flick but the studio got cold feet. Early on, Dunn seeks Menjou's mentorship and possibly more. People keep warning her about his reputation as a womanizer and she keeps saying she doesn't care, she'll do anything to get ahead even though, in the language of the day, she's maintained her "purity." Then this thread disappears and it becomes a tepid battle for her hand in matrimony between the two male leads.
Cliff Edwards has a Lee Tracy type role as a fast-talking PR man that fades away without connecting with the plot too much. Ernest Torrence plays Menjou's manservant as an effeminate sort whose only interest in life seems to be arranging and spying on his employer's love life. Kind of creepy.