IN BRIEF: A loving documentary about the EGOT winner.
JIM'S REVIEW: (RECOMMENDED) Rita Moreno has been in the biz for many decades and has broken many racial barriers and and achieved many well-earned accolades and this documentary, Rita Moreno: Just a Girl Who Decided to Go for It. This film is a candid look at her legendary life and status. Solidly directed by Mariem Pérez Rier, the film is a glowing tribute to this actress, perhaps too glowing. Filled with gossipy tidbits from mostly interviews by Ms. Moreno there are comments from some of her friends and co-stars such as Justina Machado, George Chakiris, Lin-Manual Miranda, Terrance McNally, and Hector Elizondo, plus devoted fans like Mitzi Gaynor, Eva Longoria, Gloria Estefan, Karen Olivo, Whoopi Goldberg, and Norman Lear. An all-star cast for an all-star.
Ms. Moreno's early family life is rarely on view as the film focuses primarily on her show biz accomplishments and the obstacles she faced throughout her long movie career. She continually discusses her need for fame and yearning for the spotlight, while bemoaning her B movie roles prior to her Oscar-winning role as Anita in West Side Story and her uphill climb after that win. Her personal life is a bit of a shamble until she finds some stability in a marriage and begins her own family later in her life. Political activism and her passion for liberal causes like the civil right movement in the 60's are also covered and exulted. But darker times come to her journey of self-worth and acceptance. Ms. Moreno also confesses to her sexual harassment encounters and date rape by her agent, her volatile 7 year romantic relationship with Marlon Brando, and her need for therapy thereafter. All insightful and sincere cinematic moments, but one wished there were more interest shown with longer clips of her musical performances to reinforce her true star power.
One troubling aside to this reviewer: the side-stepping of stereotyping in many of her earlier roles. Except for a small part in Singin' in the Rain, the actress bolstered and perpetuated the Latin spitfire bombshell or native girl on screen. Granted, those were the parts she was given, but with today's public outcry of racial profiling and her participation in playing other ethnicities during Hollywood's Golden Age, those choices are purposely downplayed in this film. At one point, she disparages her role as Tuptim in The King and I as a silly hapless victim, but she never takes accountability for her one-dimensional stereotypes early in her career that pathed the way for better and more significant roles. Ms. Moreno somehow avoids The Hattie McDonald backlash, an issue that rarely tarnished her reputation and never is honestly addressed here. (The actress does come full circle with her Tony-winning performance in The Ritz, playing an over-the-top third-rate caricature named Googie Gomez, which could have been a perfect segue to that accountability factor that the film avoids.)
Rita Moreno: Just a Girl Who Decided to Go for It remains a fascinating documentary. She seemed to outlive the stigma and shame of racial profiling and made her mark as a cultural icon and survivor in her later years. She has skillfully crafted a memorable career and her accomplishments are quite a remarkable legacy for a poor girl from Puerto Rico. The filmmakers do paint a loving, if biased, portrait of this talented woman amid some gaps in storytelling, but we never really get the entire picture of her struggles and defeats, only more and more emphasis on her many many successes. (GRADE: B)
JIM'S REVIEW: (RECOMMENDED) Rita Moreno has been in the biz for many decades and has broken many racial barriers and and achieved many well-earned accolades and this documentary, Rita Moreno: Just a Girl Who Decided to Go for It. This film is a candid look at her legendary life and status. Solidly directed by Mariem Pérez Rier, the film is a glowing tribute to this actress, perhaps too glowing. Filled with gossipy tidbits from mostly interviews by Ms. Moreno there are comments from some of her friends and co-stars such as Justina Machado, George Chakiris, Lin-Manual Miranda, Terrance McNally, and Hector Elizondo, plus devoted fans like Mitzi Gaynor, Eva Longoria, Gloria Estefan, Karen Olivo, Whoopi Goldberg, and Norman Lear. An all-star cast for an all-star.
Ms. Moreno's early family life is rarely on view as the film focuses primarily on her show biz accomplishments and the obstacles she faced throughout her long movie career. She continually discusses her need for fame and yearning for the spotlight, while bemoaning her B movie roles prior to her Oscar-winning role as Anita in West Side Story and her uphill climb after that win. Her personal life is a bit of a shamble until she finds some stability in a marriage and begins her own family later in her life. Political activism and her passion for liberal causes like the civil right movement in the 60's are also covered and exulted. But darker times come to her journey of self-worth and acceptance. Ms. Moreno also confesses to her sexual harassment encounters and date rape by her agent, her volatile 7 year romantic relationship with Marlon Brando, and her need for therapy thereafter. All insightful and sincere cinematic moments, but one wished there were more interest shown with longer clips of her musical performances to reinforce her true star power.
One troubling aside to this reviewer: the side-stepping of stereotyping in many of her earlier roles. Except for a small part in Singin' in the Rain, the actress bolstered and perpetuated the Latin spitfire bombshell or native girl on screen. Granted, those were the parts she was given, but with today's public outcry of racial profiling and her participation in playing other ethnicities during Hollywood's Golden Age, those choices are purposely downplayed in this film. At one point, she disparages her role as Tuptim in The King and I as a silly hapless victim, but she never takes accountability for her one-dimensional stereotypes early in her career that pathed the way for better and more significant roles. Ms. Moreno somehow avoids The Hattie McDonald backlash, an issue that rarely tarnished her reputation and never is honestly addressed here. (The actress does come full circle with her Tony-winning performance in The Ritz, playing an over-the-top third-rate caricature named Googie Gomez, which could have been a perfect segue to that accountability factor that the film avoids.)
Rita Moreno: Just a Girl Who Decided to Go for It remains a fascinating documentary. She seemed to outlive the stigma and shame of racial profiling and made her mark as a cultural icon and survivor in her later years. She has skillfully crafted a memorable career and her accomplishments are quite a remarkable legacy for a poor girl from Puerto Rico. The filmmakers do paint a loving, if biased, portrait of this talented woman amid some gaps in storytelling, but we never really get the entire picture of her struggles and defeats, only more and more emphasis on her many many successes. (GRADE: B)