If it was fair, the opening sequence would be among the top film openers:
Judith Kaufmann's cinematography and the cutting here and later in the movie are exceptional.
- the contrast in rhythm between the kammerspiel of the story and a sort of car chase at night
- the contrast between the romanticism of christmas eve and political agitation as the story unfolds.
Judith Kaufmann's cinematography and the cutting here and later in the movie are exceptional.