How do you review a series of over 1100 episodes? I have to start by admitting I've only seen thirteen "Lindholm" programmes and two "Cologne" ones.
The first thing that struck me was the cheesy seventies theme music and the dreadful title sequences. I'd honestly thought that I'd downloaded something from fifty years ago. However, it turned out that the Lindholm episodes were set in a recent past where primitive mobile phones were used in the earlier episodes and smartphones towards the later ones. I learnt that the theme and titles had remained the same for fifty years and the programme makers keep them as a tradition.
Despite the Lindholm episodes having the same star, Maria Furtwangler, it's clear that the different programmes were written and directed by a myriad of varied people. The styles were completely different as was the dialogue and plot development. One thing that was consistent and was, I assume, a basic template was that Frau Hauptkommissarin Lindholm was always close to the edge both in her personal life and her investigations. She broke rules with impunity and, in reality, wouldn't have lasted five minutes in any LKA or even local police station.
A few of the cases were solved by coincidences even when she knew who the perp was but she sometimes wasn't allowed to arrest as she didn't have the evidence. However, a chance meeting or finding led her to get her man. It was also slightly annoying that car accidents played such a large part in some of the plots.
Her personal life was a shambles and men came and went with no seeming reason. Mum was on hand to look after her child who simply didn't figure in the final episode.
I can't say much about the couple of Cologne ones I've seen as it was a long time ago, but they seemed to be darker.
All told, the stories were not boring and held the attention for the ninety minutes of each episode. They aren't the most scintillating television I've seen, but worth a look on a rainy afternoon.
The first thing that struck me was the cheesy seventies theme music and the dreadful title sequences. I'd honestly thought that I'd downloaded something from fifty years ago. However, it turned out that the Lindholm episodes were set in a recent past where primitive mobile phones were used in the earlier episodes and smartphones towards the later ones. I learnt that the theme and titles had remained the same for fifty years and the programme makers keep them as a tradition.
Despite the Lindholm episodes having the same star, Maria Furtwangler, it's clear that the different programmes were written and directed by a myriad of varied people. The styles were completely different as was the dialogue and plot development. One thing that was consistent and was, I assume, a basic template was that Frau Hauptkommissarin Lindholm was always close to the edge both in her personal life and her investigations. She broke rules with impunity and, in reality, wouldn't have lasted five minutes in any LKA or even local police station.
A few of the cases were solved by coincidences even when she knew who the perp was but she sometimes wasn't allowed to arrest as she didn't have the evidence. However, a chance meeting or finding led her to get her man. It was also slightly annoying that car accidents played such a large part in some of the plots.
Her personal life was a shambles and men came and went with no seeming reason. Mum was on hand to look after her child who simply didn't figure in the final episode.
I can't say much about the couple of Cologne ones I've seen as it was a long time ago, but they seemed to be darker.
All told, the stories were not boring and held the attention for the ninety minutes of each episode. They aren't the most scintillating television I've seen, but worth a look on a rainy afternoon.