An honest, funny & thoroughly relatable account of a young girl's sexual awakening, Yes, God, Yes is short, simple & straightforward in its approach, and is brilliantly led by Natalia Dyer's sweet & amusing performance. There is a sincerity in this coming-of-age portrayal and a proper understanding of that awkward teenage phase which makes this film both fun & evocative.
Written & directed by Karen Maine in her directorial debut, the story is adapted from her short film of the same name but the larger canvas & longer runtime offer her an incentive to spread out the plot, create new situations & explore some more themes. However, Maine decides to not venture out further which in turn makes this film look like an overly long version of the more compact & effective short.
Much of the hilarity comes from our very own relatability to the protagonist's journey after she discovers masturbation, experiences sexual urges & lustful desires for the first time and the feeling of guilt, confusion & awkwardness that comes with it and is further exacerbated by her Catholic teachings. And the authenticity with which Dyer articulates her character's temptations & inner turmoil is by all means praiseworthy.
Overall, Yes, God, Yes commences Karen Maine's directorial career on a promising note and is a fascinating depiction of a young girl trying to figure herself out through her curiosities & observations while also serving as a delightfully nostalgic trip down memory lane. Those who have already seen the short may not find anything new or refreshing about it but for the rest, this brief, breezy & brill piece of work is definitely worth a shot.
Written & directed by Karen Maine in her directorial debut, the story is adapted from her short film of the same name but the larger canvas & longer runtime offer her an incentive to spread out the plot, create new situations & explore some more themes. However, Maine decides to not venture out further which in turn makes this film look like an overly long version of the more compact & effective short.
Much of the hilarity comes from our very own relatability to the protagonist's journey after she discovers masturbation, experiences sexual urges & lustful desires for the first time and the feeling of guilt, confusion & awkwardness that comes with it and is further exacerbated by her Catholic teachings. And the authenticity with which Dyer articulates her character's temptations & inner turmoil is by all means praiseworthy.
Overall, Yes, God, Yes commences Karen Maine's directorial career on a promising note and is a fascinating depiction of a young girl trying to figure herself out through her curiosities & observations while also serving as a delightfully nostalgic trip down memory lane. Those who have already seen the short may not find anything new or refreshing about it but for the rest, this brief, breezy & brill piece of work is definitely worth a shot.