Every single moment of Topkapi that dealt with the heist was an absolute thrill to me. It has been a long time since I watched a movie that had me holding my breath to this degree, but there were so many moments when I couldn't wait to see what would happen next (including a scene that clearly inspired an iconic moment from the first Mission: Impossible film.) I also loved how this movie embraced the idea of building a team of people who all have specific roles to play in the heist. Between watching the team assembling and seeing how they adapt to problems along the way, I was hooked. I only wish they got to the actual job a little earlier in the film. There was a long stretch of time where they do nothing of importance, and I was worried it might get boring. I also didn't fully understand the reason that they involved Peter Ustinov in their plot in the first place, which seemed to be a massive inconvenience created solely to add drama to the film.
That being said, I would never complain about Ustinov's presence in any movie. He's a great actor, and works well in this bumbling role. I also quite enjoyed Maximilian Schell as the mastermind and Robert Morley as the gadget man. Where Topkapi truly fell flat for me was Melina Mercouri. She had basically no purpose in the film, and did nothing more than serve as a distraction during the heist. Her entire performance rubbed me the wrong way, and I practically began the film rooting against the team simply because they were stealing something that was ostensibly for her. There were plenty of good things in Topkapi to win me back, and she isn't on screen during the best parts of the movie, so I still enjoyed my time with it. There are certainly better heist/caper films that I've seen, but Topkapi has all the right qualities to be on that list. I will probably even give it another try in the future, and perhaps my complaints won't bother me so much then.
That being said, I would never complain about Ustinov's presence in any movie. He's a great actor, and works well in this bumbling role. I also quite enjoyed Maximilian Schell as the mastermind and Robert Morley as the gadget man. Where Topkapi truly fell flat for me was Melina Mercouri. She had basically no purpose in the film, and did nothing more than serve as a distraction during the heist. Her entire performance rubbed me the wrong way, and I practically began the film rooting against the team simply because they were stealing something that was ostensibly for her. There were plenty of good things in Topkapi to win me back, and she isn't on screen during the best parts of the movie, so I still enjoyed my time with it. There are certainly better heist/caper films that I've seen, but Topkapi has all the right qualities to be on that list. I will probably even give it another try in the future, and perhaps my complaints won't bother me so much then.