I'm not a big fan of movies with strongly erotic scenes but I decided to see this movie because it seemed to me that it had a good story and not just scenes of gratuitous sex/nudity. I don't think I was wrong: it's not a work of art, but it entertains quite well and gives us what it promises.
The story is quite simple, although it's credibility and verisimilitude depend a lot on our level of tolerance for deeply unbelievable stories. It all starts with the strange fascination - almost a lesbian passion - of young Sylvie for a girl she saw at her school: the safe and sexy blonde with no name, who clearly lets herself be treated by Ivy but of whom we never know her name. Sylvie is a depressed young girl with serious psychological and social problems, who wants to be like Ivy and feels that has always lived in the shadow of her own mother, the beautiful Georgie Cooper, who is now ill (although she looks more like a chronic hypochondriac than a truly sick person). Sylvie also seems to have a strained relationship with her father, Darryl Cooper, a TV pivot with a deeply conservative mentality. As the friendship between Sylvie and Ivy turns into a relationship of absolute dominance of the strongest personality over the most fragile, Ivy introduces herself to her rich friend's house and begins to live at her expense and have everything she ever wanted... which includes seducing Darryl and taking Georgie's place in everyone's life.
Unfortunately, the world is full of attractive women who use their look to get everything they want, especially if the target is an older and richer man. This film takes this further. The story, as I said, is deeply unbelievable but it works very well and sets the tone for several scenes where sensuality is the strong point, in a film full of style and very solid, despite the clearly reduced budget.
The cast is led by Drew Barrymore... the blonde girl of the Eighties has grown up and now has a shapely body that will show almost entirely in this film, in a series of scenes that easily leave the male audience breathless. But those who think she's just showing her curves are wrong. She gives us a solid performance and knew how to give her character a high level of perversity, with touches of madness and narcissistic delirium. Sarah Gilbert gave life to the lonesome Sylvie and was very happy in her work and in the way she narrated the story. I also liked Tom Skerritt and the way he seems to gradually fall for the young sexy blonde. The worst of all was the poor performance of Cheryl Ladd.
Technically, it's an average film and it doesn't stand out particularly. Sometimes, it even seems to be done for the TV, with its warm and lazy cinematography and mediocre or absent effects. The sets and costumes are more or less what we could expect. For me, the most notable technical aspect was the great original soundtrack by David Michael Frank, with a melody for saxophone and orchestra that alternates between sexy and sinister.
The story is quite simple, although it's credibility and verisimilitude depend a lot on our level of tolerance for deeply unbelievable stories. It all starts with the strange fascination - almost a lesbian passion - of young Sylvie for a girl she saw at her school: the safe and sexy blonde with no name, who clearly lets herself be treated by Ivy but of whom we never know her name. Sylvie is a depressed young girl with serious psychological and social problems, who wants to be like Ivy and feels that has always lived in the shadow of her own mother, the beautiful Georgie Cooper, who is now ill (although she looks more like a chronic hypochondriac than a truly sick person). Sylvie also seems to have a strained relationship with her father, Darryl Cooper, a TV pivot with a deeply conservative mentality. As the friendship between Sylvie and Ivy turns into a relationship of absolute dominance of the strongest personality over the most fragile, Ivy introduces herself to her rich friend's house and begins to live at her expense and have everything she ever wanted... which includes seducing Darryl and taking Georgie's place in everyone's life.
Unfortunately, the world is full of attractive women who use their look to get everything they want, especially if the target is an older and richer man. This film takes this further. The story, as I said, is deeply unbelievable but it works very well and sets the tone for several scenes where sensuality is the strong point, in a film full of style and very solid, despite the clearly reduced budget.
The cast is led by Drew Barrymore... the blonde girl of the Eighties has grown up and now has a shapely body that will show almost entirely in this film, in a series of scenes that easily leave the male audience breathless. But those who think she's just showing her curves are wrong. She gives us a solid performance and knew how to give her character a high level of perversity, with touches of madness and narcissistic delirium. Sarah Gilbert gave life to the lonesome Sylvie and was very happy in her work and in the way she narrated the story. I also liked Tom Skerritt and the way he seems to gradually fall for the young sexy blonde. The worst of all was the poor performance of Cheryl Ladd.
Technically, it's an average film and it doesn't stand out particularly. Sometimes, it even seems to be done for the TV, with its warm and lazy cinematography and mediocre or absent effects. The sets and costumes are more or less what we could expect. For me, the most notable technical aspect was the great original soundtrack by David Michael Frank, with a melody for saxophone and orchestra that alternates between sexy and sinister.