This is another of those very rare films that are like no other films, unique and differing from everything else, while of course you recognize most of the Italian expressions of temperament, emotion and human complications and outbursts from most other Italian films, but this American film actually succeeds in capturing the very Italian element and even the Sicilian element. The town of Adano does not exist and never did, but the inspiration for the Pulitzer winning novel by John Hersey has its source in a small Sicilian town on the south coast close to Agrigento called Licata, and if you know anything about Sicily you would immediately recognize the environment and mentality in the film as Sicilian, if you didn't know it beforehand. John Hodiak as major Joppolo, curiously like John Steinbeck, makes perhaps the role and perfomance of his life, and if you don't remember him for any other performance, you will remember him for this one. William Bendix, always reliable and indomitable as a character actor, is his closest associate and makes as usual a very memorable performance. You will perhaps be shocked to find Gene Tierney here as a blonde Italian, but she makes the best of it. Another character not to bypass, for a short but the more remarkable performance, is Richard Crenna as an Italian soldier and released prisoner. Perhaps the major highlight and most moving scene in the film is when the village, almost exclusively inhabited by women, receives back all its prisoners, sons and husbands that have been gone since the beginning of the war, while all the women go out to meet them in the square. It is one of the finest moments in any war film.
The story is all about a church bell, missing when the major arrives to take charge of the village, while a clique of the villagers insist the return of the church bell being the most important need for the starving village, and the major goes through great pains to achieve that goal. The film ends in deep melancholy sadness but at the same time in glorious triumph. It's a great story, and no wonder the novel won the Pulitzer prize - Henry King's direction of the film goes meticulously about not missing anything of the great deserts of the novel.