If anyone is familiar with filmmaker Michael Winner's work, then "Scream for Help" shouldn't come as a surprise. Made smack in the middle of "Death Wish II" & "Death Wish 3". Those easily offended should steer clear. But then again, this ruthlessly trashy picture does catch you off guard numerous times. You could play a drinking game. Get the shot glasses ready, whenever you hear the word "kill". This is a lot. Yeah, as you can see, it's not one to take too seriously, even though it feels like the entire cast is giving their dramatic all.
Tom Holland's disjointed material is campy despite the context (family abuse) being frightening, but Winner's execution is where the laughs come from. Subtle is not how to describe it. It's so outrageously delirious, excessive and in-your-face making it eye-bogglingly strange and unrealistic. Was Winner sniggering behind the camera? But that's where the fun comes from.
The story creatively follows that of the dogged teenage girl's viewpoint by mixing elements of the boy who cried wolf meets Nancy Drew turned home invasion with exploitative touches. Then there's the odd, if graceless lifetime style coming of age inclusions. It's all over the place, but for some reason it gives it such a frenetic, unpredictable energy after being thrown straight into the action. Helping this out was the spirited performance of Rachael Kelly. Watching her go about her business always in the same manner can get rather humorous when not jarring. Her dialogues and reactions are priceless, but still you got admire her commitment. She would give Terry O'Quinn's "The Stepfather" a real run for his money. David Allen Brooks is perfect as the calculating, sleazebag step-father.
One thing that was hard to admire though, was that loud, obnoxious music score. Winner must be sniggering again? Outside of those intrusive guitar riffs, it felt out-of-pace. Winner's leering, straight-forward style makes use of it b-grade budget where amongst the sordid details he does install some intense passages. And how about that ending?!
Tom Holland's disjointed material is campy despite the context (family abuse) being frightening, but Winner's execution is where the laughs come from. Subtle is not how to describe it. It's so outrageously delirious, excessive and in-your-face making it eye-bogglingly strange and unrealistic. Was Winner sniggering behind the camera? But that's where the fun comes from.
The story creatively follows that of the dogged teenage girl's viewpoint by mixing elements of the boy who cried wolf meets Nancy Drew turned home invasion with exploitative touches. Then there's the odd, if graceless lifetime style coming of age inclusions. It's all over the place, but for some reason it gives it such a frenetic, unpredictable energy after being thrown straight into the action. Helping this out was the spirited performance of Rachael Kelly. Watching her go about her business always in the same manner can get rather humorous when not jarring. Her dialogues and reactions are priceless, but still you got admire her commitment. She would give Terry O'Quinn's "The Stepfather" a real run for his money. David Allen Brooks is perfect as the calculating, sleazebag step-father.
One thing that was hard to admire though, was that loud, obnoxious music score. Winner must be sniggering again? Outside of those intrusive guitar riffs, it felt out-of-pace. Winner's leering, straight-forward style makes use of it b-grade budget where amongst the sordid details he does install some intense passages. And how about that ending?!